Catalog: Vintage Arts: Regional Art: Asian (68)

Fine and rare two paneled wedding blanket from the Bouyi (aka Buyi) ethnic group in Changshun area Guizou, China. Woven from all handspun cotton thread. The blue and white center field has a “wanzi” swastika meander pattern while the upper and lower parts are the repetitive “well” symbols. This dates circa 1960’s. Without border- L 130cm/51in and W: 72cm/28in, with border- L: 176cm/69in and W: 114cm/28in. A stunning piece- almost has a Mark Rothko feeling to it.

Rare semi antique supplementary warp silk embroidery on handspun indigo cotton, blanket from the diverse Tai ethnic group Vietnam/Laos. I collected this in Chiang Mai around 15 years ago and would date it around 50 to 90 years old. Nowadays you just can’t find this sort of textile anymore. Some minor embroidery losses but overall in very good condition. Dimensions: 80cm/31.5in x 137cm/53in.

Exceptionally rare early 20th century small, complete betel box with za-yun pattern, emulating English embroidery stitching. There are some cracks on the lacquer surface as well minor losses on the edge (especially on the inner box) all visible in enlargements. This is a specialist’s collector piece, for real lovers of Burmese lacquer. H: 8.4cm/3.3in and D:11.6cm/4.4in

Fine and rare old Yao/Mien all hand spun and woven cotton wedding veil with silk thread embroidered geometrical design, circa 50 years old. This piece is from Kim Mien group and was originally collected in Northern Laos. The colors on this piece are subtle and restrained (please note the use of shades of brown and blue in enlargements) and the brown and white tassels. Except for a couple of tiny holes this piece is in excellent condition. W: 47cm/18.5in and L: 75cm/29.5in.

Elegant ebony wood carving of a Balinese beauty circa 1960 to 1970- possibly older. This was obviously created for the tourist market and panders to the Western ideal of the female form of the time. I traveled to Bali in the 80s and 90s and found their arts and crafts leaning more to the impressionist side, where figures looked like the Navi from Avatar. Given its hardness and cost, ebony is usually only given to master craftsman to carve from...

Fine old wedding blanket from the Mulao ethnic group in Southern China. This has a classic floral, butterfly and phoenix weft embroidered pattern. Excellent condition with no damage- this is woven with all handspun cotton thread with some tiny bits of silk floss. The dyes are a combination of indigo and possibly aniline and organic mix in the red and orangeish colors. L: 100cm/39.5in and W: 72cm/28.2in - with border L:122cm/48in and W: 88cm/35in.

Good Karen basket waterproofed with natural tree lacquer, good condition- i.e. no damage. Circa 40 to 50 years- purchased in the 1990s in Mae Hong Song, along the Thai/Burmese border. I was back there recently and old baskets have all sold out. See last enlargement for reference.

Group of three vintage household woven cane baskets acquired in Kandy, Sri Lanka in the 1990s. These were old at the time of acquisition so I would date them to around 50 years of age. Very sturdy and good condition. Dimensions: 1# 19in/48cm x 15/40cm, 2# 15in/38cm x 8in/20cm, 11in/28cm x 5.5in/14cm. Two have wood bases and tops while the the midsize one is covered in skin (I am guessing goat).

Ensemble of 6 pieces of vintage jackets. The are hand sewn silk, probably from the 1970's (+/-). Dimensions and condition in enlargement text.

Lao, continuous supplementary weft “kit” woven festival banner. This is created from all handspun silk and natural dyes. I acquired in Vientiane, Laos in 2010, and this is highest quality of this type of weave available. Included is simple hand carved “elephant” textile hanger. An exceptional home décor accent piece. Please note I put a grain of rice in the last enlargement to highlight the detail of this work. L: 186cm/73in and W: 18cm/7in.

Semi antique, large woman’s sarong from the Stieng/Xtiêng ethic group Vietnam. Over 60 years old, this is woven from all handspun cotton threads. There is a patch, 7cm x 2cm fray on one edge and small 1cm hole. L: 203cm/79on39.8in and W: 94cm/37in.

Large Chinese traditional mounted silk scroll, temple stone wall rubbing of a “Thousand Armed Guanyin” Goddess of Mercy. Mounted H: 236cm/92in and W: 111cm/43in, actual painting. H: 178cm/70in x W: 96cm/38in.

Formal Indian Sari (just like the ones you see in Bollywood movies), worn for weddings or important religious occasions. This has never been worn. I acquired it from an estate where it has been sitting in a trunk for the past 20 years, and the inside humdity, which caused the brown dye to bleed into the embroidered border somewhat. Please examine images. This L: 5m x 1.4m and is handloomed silk. It was woven in Banaras in the two toned Tanchoi style and silver thread “jari” embroidery...

Nice old red and black lacquered Cambodian “siri” box, with lovely incised scrolling fern pattern This piece predates the Khmer Rouge regime and circa 60 or 70 years old. In good condition, there is no significant damage other expected signs of use and wear and the lid is a bit warped...

Very fine old skirt from a Northern Chin ethnic group, Myanmar. The indigo dyed upper panel is woven with very soft handspun local cotton while lower embroidered panel is all silk. Please note enlargements to see the delicacy of the work. Circa: early to mid 20th century. Good condition. L: 138cm/54in and W: 80cm/31.5in. Free shipping.

Complete set of five Shan esoteric Buddhist images. These consist of a Buddha, three monks and a chedi. These are covered with traditional gold and back lacquer and the bodies are made from compressed powdered herbs or temple incense ash. They have a quirky abstract quality to them, their facelessness represents that the individual is inconsequential but has the potential for becoming a Buddha, on the bottom are the eight Burmese zodiac symbols based on the days of the week...

Women’s skirt from the Bahnar (Ba Na) ethnic group from the Central Highlands of Vietnam, woven from fine handspun cotton using all natural dyes. The weaving is very intricate and refined, note the use of narrow warp ikat bands throughout this piece. This is one single panel which would have used to make three other skirts. See last enlargement for a complete example. L: 2.9meter/9.5feet and W: 66cm/26in. I have two complete skirts- please contact if interested.

Fine pair of black temmoku bowls with russet rims and traces of silver leaf patterns. Both are in excellent condition. D: 9.1cm x H: 3.9cm. Suitable for tea ceremonies. These are about 90% correct for being of the Song period, but the lack of excavation traces and inside the foot rim being to level and flat throws doubt on this, also the patterns are usually seen on Wuyi Shan Kiln pieces and not in Jianyang.