Catalog (81)

Nice antique bags from Afghanistan with exquisite silk embroidery. Bought these in Peshawar in the mid 90s. There is red satin on the larger bag is new and can be removed the smaller bag has a stain but may wash out (never tried so no guarantees). Small bag 10.7cm/4.2in x 10.cm/4.2in, larger bag is 14cm/5,5in x 16cm/6.3in.

Lovely traditional red silk satin child’s jacket with floral sprigs, circa first half 20th century, maybe even earlier. Excellent condition, except for the trim all hand embroidered and hand sewn. Old commercial trade cloth cotton lining. Would look good as a wall hanging. Width straight across shoulder 63cm/24.8in and H: 37cm/14.5in. Free shipping

Very fine old skirt from a Northern Chin ethnic group, Myanmar. The indigo dyed upper panel is woven with very soft handspun local cotton while lower embroidered panel is all silk. Please note enlargements to see the delicacy of the work. Circa: early to mid 20th century. Good condition. L: 138cm/54in and W: 80cm/31.5in. Free shipping.

Fine old all and spun and hand woven wedding blanket from the tiny Maonan minority group living in Guangxi and Guizhou province, circa 1940 to 1960. This piece is very crisply silk weft embroidered classic butterfly, phoenix and floral pattern. Excellent condition. The border is made of an outer hand spun cotton cloth will the red inner border is commercial cloth. L: 94cm/37in and W: 65cm/25.5in- total with border L: 149cm/58.6 and W: 94cm/37in.Free shipping

Beautiful women’s apron style skirt from the Bahnar (Ba Na) ethnic group, Central Highlands of Vietnam. Woven from fine handspun cotton using all indigo and natural dyes. The weaving is very intricate and refined. This piece is has small tear at the corner (see last enlargement) and a couple of frays but otherwise excellent condition and dates to 1960 to 1970. Google Bahnar Bob Mc Kerrow to view photos of women wearing this kind of garment taken in the early 70s. Dimensions of belt without fri...

Women’s skirt from the Bahnar (Ba Na) ethnic group from the Central Highlands of Vietnam, woven from fine handspun cotton using all natural dyes. The weaving is very intricate and refined, note the use of narrow warp ikat bands throughout this piece. This is one single panel which would have used to make three other skirts. See last enlargement for a complete example. L: 2.9meter/9.5feet and W: 66cm/26in. I have two complete skirts- please contact if interested.

Colorful hand woven beaded shoulder cloth from the Batak people, Sumatra. This piece is quiet lively and complicated with gold treads, and large “Rasta” colored diamond patterned warp embroidered bands. The “Dame Madi Hita” is Batak language and is embroidered on both sides of the center which refers to a blessing bestowed by the giver to the recipient. Ulos cloths play an important role in Batak communities in that they are ritually used to express affection and sincerity be...

Women’s three paneled silk dress circa 1970 to 1990, hand woven from Bhutan. Minor fraying along one side where as well some pinholes and stains. L: 2.3m/90in and W: 1.43m/56in.

Good Bhutan hand spun blanket. I bought this from a Bhutanese woman sitting at the bottom of the trail to original Tiger Nest, in 1995. Simple but stunning wool embroidered floral and foliate medallions. Made with soft wool (very warm), comprised of two panels, perfect condition. Width: 93cm/37.5in and Length: 158cm/62in.

Antique wedding blanket, circa late 19th CE/early 20th CE, from the Bouyi/Buyi (possibly Zhuang) China. This is tightly woven in three panels, from very fine handspun cotton thread with a silk floss yarn supplementary weft “well” pattern. The black cotton lattice gives the overall pattern depth. The wide woven-in border has a “wanzi” swastika meander pattern that seamlessly transitions from the black cotton to silk pastel. There is a simple repair on the edge (noted in enlarge...

Fine and rare two paneled wedding blanket from the Bouyi (aka Buyi) ethnic group in Changshun area Guizou, China. Woven from all handspun cotton thread. The blue and white center field has a “wanzi” swastika meander pattern while the upper and lower parts are the repetitive “well” symbols. This dates circa 1960’s. Without border- L 130cm/51in and W: 72cm/28in, with border- L: 176cm/69in and W: 114cm/28in. A stunning piece- almost has a Mark Rothko feeling to it.

Special offer- marked down from $600. Fine three panel wedding blanket from the Bouyi (Buyi) ethnic group Libo County, Guizhou, China. The Bouyi are a relatively small ethnic group- so embroideries from them have become quite scarce. The supplementary weft “well” patterned embroidery is silk except for the black medallions- the field is all handspun cotton. The black border is a later addition made from hand woven cotton. Circa mid 20th century very good condition. W: 83cm/33in and L...

Woman's Blanket from the Chin, Mizo people of Assam or Western Burma. This type of “prestige cloth” would be worn only by women on ceremonial occasions. Some stains, splits at the ends but exceptionally rare and very fine weaving incorporating several techniques. Silk warp cotton weft. Approximately circa 50- 80 years old. W: 101cm/40in and L: 236cm/93in

Ensemble of 6 breast panels from the Khami or Mro subgroup of the Chin ethnic group, Arrakan State Burma. Antique 1950s or older. Sizes- L: 66cm26in and W: 34cm/13.4in (more or less). Condition as pictured.

The larger one is. L: 106cm/41.8in and W: 59cm/23in. All the elements in this piece are hand made, even the ribbon along the border which is often machine made (even in old pieces)this piece has some old repairs The smaller one is has ablack calendered cotton cloth, and green commercial border, and fine silk embroidered center panel with hand woven silk embellished apron ties. . W: 40cm/15.8in and L: 43cm/17in. Free shipping Hong Kong Registered Airmail. Please examine enlragements fo...

Lovely hand silk embroidered alter “skirt” with the Eight Chinese Immortals and three double happiness roundels at the top. I recently acquired this with a group of other vintage textiles; this is in perfect condition with a lovely palate of colors. Late 20th century, this would have been hung in in front of a temple altar table’s legs. H: 100cm/40in x W: 94cm/37in. Appears never to have been used.

Old Chin tube skirt, circa 1950, from the Khumi subgroup in Burma. although deceptively simple is really extremely complex; please note in enlargements that the reverse side of this textile does not show any of the pattern on the front. This is made on a backstrap loom of very fine homespun cotton with a beaded fringe along the selvedge. Some stains and a few small holes. L: 180cm/71in and W: 44cm/17.2in

Very rare man’s ceremonial tunic from the Chin ethnic group, probably Falam Township, Chin State Myanmar. I would consider this an antique heirloom blanket between 1910-1940 finely woven from hand spun cotton thread and natural dyes. This incorporates the classic Chin diamond twill weft pattern as well as double side embroidery. W: 128cm/50.5in and L; 189cm/74.5in. This only one from this Chin group I have ever managed to collect. Please note last enlargement for some guys wearing this type of...

Antique women’s shoulder cloth (hti paun) from the Mro or Khami subgroup of the Chin ethnic group. A very old piece circa 1920 to 1940. There are two small repaired holes, minor fraying edge along the selvedge and loss to fringe. L: 174cm/64.5in and W: 92cm/32in.

Fine example of Chin weaving from Myanmar, probably from the Khami subgroup. Complete front breast panel from the Chin State. All hand spun cotton circa 50/70 years old. One repair and frayed on the top minor repair (may be seen in image of the back). L: 67cm/26.3in and W: 36cm/14.1in. Free shipping. airmail.

Rare woman’s pictorial shoulder cloth from a Chin subgroup (Khami, Khumi or Mro) living in the Rakhine and Chin states, west Myanmar. Please note that the pattern is hand embroidered on one side only and not woven in, also most of the geometric woven patterns are unique with only a couple of repetitions. The dimensions are L: 123cm/63in x W: 34cm/13.5in. I have three books and Burmese textiles and there are no depicted examples of pictorial weaves. Circa 50 to 60 years old.

Lovely Iban woman’s skirt from the Kapit region in Sarawak, circa 1940-1950. The broad center field is woven from handspun cotton and natural dyes. The red use in this is particularly rich. The narrow bands on the side are made of commercial thread and dye. This has a Bangit fruit pattern, which signifies “abundance”. There are a few minor frays and inevitable “pinholes”, but IMO the condition is good. L: 102cm/40in and W: 52cm/20.5in. Bought this about 20 years ago in Kuching. ...

Women’s jacket from the Dong minority in Longsheng Terraces, Guangxi Zhuang, China. The black outer cloth is commercial denim, the lining is handmade indigo cotton with a beautiful purple hand embroidered panels on the back and upper sleeves. Some damage (please examine enlargements) but repairable or very wearable as is. Chest width 50cm/19.5in, total end to end arm length 153cm/61in and shoulder to bottom height 72cm/28.3in. Held to together by a hand woven ribbon it is a bit �...

Beautiful, unopened, three paneled, semi antique, woman’s sarong from Flores Island (probably Ende), Indonesia. Circa 1950 +/-. All hand spun and woven cotton and natural dyes. Very soft and in perfect condition. The incorporation of indigo dyes is quite subtle giving it the depth. L: 142cm/56in and W: 158cm/60in. Free Shipping

Charming votive folk embroidery, from the Saurashtra area of Gujarat, made by the Kanbi farmers caste, circa 50/60 years old. The two ply field is woven from all hand spun rough cotton thread; hand dyed silk thread and small glass mirrors. Ganesh is flanked by two female consorts and his “vehicle” of mice beneath him. These are brought out during religious and auspicious festivals, he traditionally has been viewed as the remover obstacles. Excellent condition. W: 54cm/21.1in and H: 56cm/22in...

Finely woven Iban women’s kain skirt, circa 1940 with “eye of the green pigeon” and bamboo pattern, from the Kapit area, Sarawak, Malaysia. Fine and tight weaves like this, indicate that owner was from a high status. There is one repair noted in enlargements. This ikat is made from all handspun and natural dyes while the colored bands are commercial thread. L: 115cm/42.5in and W: 57cm/22.5in.

Formal Indian Sari (just like the ones you see in Bollywood movies), worn for weddings or important religious occasions. This has never been worn. I acquired it from an estate where it has been sitting in a trunk for the past 20 years, and the inside humdity, which caused the brown dye to bleed into the embroidered border somewhat. Please examine images. This L: 5m x 1.4m and is handloomed silk. It was woven in Banaras in the two toned Tanchoi style and silver thread “jari” embroidery. In ...

Rare jacket back panel from the remote Miao Jiupang group from Jiahe County, Guizhou province (see last enlargement), with purple embroidered pattern between the spaces in the tin decoration. This style of decoration is unique to this group and very difficult to make, as every tiny bit of tin has to be individually cut and crimped. Recently acquired from a private Hong Kong collector, these are the first examples I have send of these I have seen in the past 15 years. There ...

Very rare complete jacket back panel from the remote Miao Jiupang group from Jiahe County, Guizhou province (see last enlargement), with purple embroidered pattern between the spaces in the tin decoration. This style of decoration is unique to this group and very difficult to make, as every tiny bit of tin has to be individually cut and crimped. Recently acquired from a private Hong Kong collector, these are the first examples I have send of these I have seen in the past 10 years....

Rare woman’s skirt (pukhang) from the Kachin/Jingpo ethnic group, Northeast Burma. This is two panels with supplementary weft trim on the ends made of dog hair. Mostly natural dye and indigo. It is quite a durable weave with denim like feel. There is some staining, one small hole as well as a bit of dye bleeding. I could only find examples this in “Textiles of the Hill Tribes of Burma”: Michael C. Howard (plate 107) and the Metropolitan Museum of Art: Accession Number: 2002.312...

Ikat sarong from the upland Karen (Pwo or Sgaw) ethnic group in Northern Thailand. This is woven from all handspun cotton thread and natural dyes. Acquired in the 1980s, it has never been used and as such may be described as being in pristine original condtion. The cloth coming these people nowadays, are nowhere near this quality. W: 87cm/34in and L: 152cm/61in.

Woman’s breast cloth from the Chin or Rakhine States, Myanmar- from the Khumi, Khami or Mro- Chin subgroup. Good condition- there is one tiny pin hole and a couple of stains. Circa 1950. L: 70cm/27.5in and W: 34cm/13.2in.

Large textile from Laos with a “void” silhouette deer pattern . The colored threads are silk, while the field and border are all handspun cotton, the border may be some sort of bast fiber as it is quite coarse. This piece is approximately 30 to 40 year old- I picked up it up in 2000, Vientiane, Laos. The border and backing has some staining but the embroidered panel is clean. L: 128cm/50.5in x W: 57cm/22.5in (without border) and L: 177cm/69.5in and W: 90cm/30.in (with border)...

Beautiful hand-woven hem from a woman’s skirt from the Tai Moei ethnic group of Sam Neua Province, Laos. This piece is only about 30 years old but the colors in the silk threaded center field are absolutely gorgeous. This piece is still sewn together and in excellent condition. H: 43.cm/17in and W: 59cm/23in (x2). Free shipping.

Good silk textile with tiger embroidery- all the threads are silk except the black. This was acquired in 1991 and has been sitting in a box ever since then. W: 69cm/27in x L: 149cm/58.5in

Fine and rare four paneled skirt, from the Meifu subgroup of the Li people, Hainan Island, circa mid 20th century. These kinds of textiles are unique among Chinese minority weavings as they combine supplementary weft brocade and tie dye ikat techniques. The colored threads in the brocaded panel are polyester and commercial white thread while the rest of the skirt is hand spun cotton and indigo. There is some minor even fraying at the bottom and a few negligible small holes. W: 124cm/49in and H: ...