Catalog: Antiques (372)

Very rare early 20th century textile from the Mulao ethnic group Guangxi Zhuang Autonomous Province. Little is known about these textiles other than they show a close affinity with Maonan weavings and are no longer being woven by this people. This is a two paneled blanket with original border and supplementary weft silk and cotton embroidered pattern of birds, mythical animals and flowers on a cotton field “key fret” pattern...

Woman's Blanket from the Chin, Mizo people of Assam or Western Burma. This type of “prestige cloth” would be worn only by women on ceremonial occasions. Some stains, splits at the ends but exceptionally rare and very fine weaving incorporating several techniques. Silk warp cotton weft. Approximately circa 50- 80 years old. W: 101cm/40in and L: 236cm/93in

Old hand carved wooden ink pad box circa first half 20th century. I think this is probably a Yao item, but as I purchased it in a Bai ethnic minority market in Yunnan, over 20 years ago, we’ll assume it is Bai. This has a floral pattern carved on the lid. The ink has long ago dried up. Nice natural patina. L: 7.2cm/2.9in x W: 5.8cm/2.3in x H: 3.2cm/1.3in.

A collection of four well carved lime or tobacco containers with incised designs. H; 16.5cm/6.5in- 12.3cm/4.8in.

Fine three paneled wedding blanket from the Zhuang ethnic group, Southern China. W: 90cm/35.5in and L: 148cm/58in (with border W: 134cm/52in and L: 190cm/74in. Woven from all hand spun cotton and silk embroidery threads. Classic diamond and star pattern with “wanzi” swastika meander patterns on the border, also incorporated into this pattern are a few “Wang” characters (Chinese for king), which may be seen in the lower left side of the cover image...

Heirloom wedding blanket cover from the tiny Maonan ethnic minority of Guangxi, China. First half of the 20th century-made with natural undyed local cotton with the pattern with made from floss silk supplementary brocade weft symbols of phoenix, flowers and butterflies, and is in perfect condition with no holes or tears. Some of the more brightly colored purple aniline dyed silk threads have been rewoven into the patterns probably within the last 40 years but are certainly not new...

Superb 3 paneled weaving from the Zhuang ethnic group in Guangxi Zhuang, Southern China. The body is woven from very fine handmade cotton thread while the weft supplementary embroidery is done with silk floss threads (the small blue indigo medallions are done with cotton). Quite a heavy piece because of all the embroidery. L: 161cm/63in and W: 100cm/39in.circa first half of the 20th century.

Nice old Thai sticky rice “lunch box”, from the Karen ethnic group Northern Thailand. This is about 40 or 50 tears old with typical double wall construction. There are areas that have been lovingly repaired with some nylon cord. To the purist this may be seen as a distraction but I see time and an ethic where nothing was ever wasted- this was a valued very personal object. Next to it I have placed a contemporary one...

Very rare Khmer black lacquer “pillow box” with an abstract floral pattern. This is an old pre Khmer Rouge item, dating 50 to 60 years old, possibly more. The unique decoration makes this a one of a kind piece, the construction is typically Cambodian, in that it is constructed with thin small planks of wood and is coated with raw lacquer on the bottom, and this was sourced in the “Russian Market” about 15 years ago in Phnom Phenh...

Fine Qing Dynasty small carved wood panel depicting a scholar and boy in garden with flower buds and pine trees. Carved on both sides excellent condition with gold, red and black lacquer. L:30.3xm 12in and H: 12.5cm/5.5in.

Beautiful hand-woven hem from a woman’s skirt from the Tai Moei ethnic group of Sam Neua Province, Laos. This piece is only about 30 years old but the colors in the silk threaded center field are absolutely gorgeous. This piece is still sewn together and in excellent condition. H: 43.cm/17in and W: 59cm/23in (x2). Free shipping.

Hand carved Chinese Boxwood (Buxus L.), dorje/vajra “thunderbolt”. Nice patina with a wonderfully smooth surface. In tandem with a bell, these are used in Tantric rituals. L: 15cm/5.9in. free shipping.

Special Offer- free shipping! Lovely Japanese presentation or tea tray, made from a naturally hollowed out section of the bottom of a tree trunk “cat face”. This should be mid 20th century. I think it would make a stunning planter (see enlargement #9). D: 28cm/11in and H: 17cm/6.8in.

Delightful Qing Dynasty café au lait glazed water dropper in the shape of a fish in a basket, it is quite heavy for its size and the brown glaze has a strong metallic patina possibly emulating bronze. Most likely from a Southern Kiln, in perfect condition! D: 5.7cm/2.2in and H: 7.2cm/2.8in.

Very finely detailed hand carved bone lime box from Timor, circa mid 20th century, with wooden stopper. L 10cm/4.1in. Included is anthropomorphic stopper from the Bataks near Lake Toba, Sumatra. They’re unrelated but somehow look like they belong together.

Cambodian semi antique Khmer basket circa pre 1950. Excellent condition, with natural lacquer and some painted design. Woven with split bamboo it is still quite serviceable, please view enlargements to appreciate the detail of this weave- you will not find any genuinely old baskets in Cambodia anymore (or anywhere else for that matter). Dimensions: 27cm/11.8in diameter and 15cm/6in height. There is some damage to the footrim noted in last enlargement.

Very rare antique lacquer box from the Southern Shan States circa late 19th CE to early 20th CE. This a complete set (which is rare in itself these days). The pattern though simple is exquisitely detailed. Some craquelure on the surface, as is expected and few minor chips at the bottom of the lid. H 13.7cm/5.4in and D: 15.5cm/6.1in.

Nice old Cambodian “siri” box. This piece predates the Khmer Rouge regime and circa 60 or 70 years old. In good condition, this has an unusual 4 carved bamboo bands- most only have 1 or 2, so it is quite ornate There is no significant damage other expected signs of use and wear. In recent years Khmer lacquerware is making a comeback, however most of this is used for “home décor” export items, as far as I know no one is currently resurrected items for common household use...