Catalog: Antiques (377)

Good Joseon Dynasty, 19th century stoneware cup/bowl with high footrim and pale greenish gray glaze and gray stoneware , this is a simple regional folk ware but has a pleasing almost celadon feel to it that needs to be held to be appreciated. There is some kiln grit in the cavetto as well as three minor hairline stress cracks. H: 8.7cm/3.5in and D: 13.1cm//5.2in.

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective...

Exquisite antique silver necklace, circa 19th century. Each tiny bead is hand folded into a geometrical shape, some of them still have traces of gold wash I doubt if this kind of craftsmanship can be done today. The hexagonal pendant opens up into a “secret” lime box, and the clam shell bead is actually a bell. Included is an ancient excavated garnet bead. Total Length: 87cm/34.3in. Small bead diameters are: 1mm-2mm/.04in-.08in. Total weight 60 grams. Free shipping.

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Good Mandalay period Nat circa last half 19th century, carved from alabaster with traces of original pigment, this ha very expressive face. Nats are spirits were historic characters that became deified or associated with places and elements of nature. Their veneration predates the acceptance of Buddhism but eventually was absorbed into mainstream Burmese Theravada Buddhism. H: 22cm. there are few shallow scuffs but otherwise good condition...

Excellent opium pipe stem cleaner, fine condition and all original parts. Bamboo sheath, iron cleaning rod and copper opium poppy pod shaped finial handle. Circa late Qing Dynasty. Total length 54cm/21.2in.

Unique clear glass Sino Tibetan image of a Dakini, most likely cast from a mold. Basically even with the usual clay images it is problematic dating them as the molds may be old but the item recently made, this piece has traces of compacted soil, surface pitting and wear, as well as small Ming Dynasty Buddhist and Taoist clear glass charms having been documented, I feel a circa 100 year plus is a conservative dating...

Early 19th century lacquer box from the Gadu-Gadan region with domed top and bottom (philone gaunglone). There are 16 separate panels decorated with mythical beasts, dancers and quirky symbols on the side and bird pattern on the top and bottom. Please note last photo for reference which is dated 1850 (possibly earlier) from Lacquerware Journeys—Than Htun. The piece I have is actually far more intricate...

Rare antique classical period Kandyan standing Buddha, carved from Jackwood, circa 18thCE. H: 18cm/7in, please note in enlargements outstretched hand in the abhaya mudra and unisha are missing.

Nice Thai pottery votive plaque circa early Ayutthaya period. In the center is the Buddha with classic Bhumiparsa mudra, flanked by two pillars and Sukhothai style walking Buddhas. Good condition and guaranteed of the period. H: 6cm/2.4 and W: 5.1cm/2in. Free shipping.

Alabaster Shan Buddha circa 18th century. This has been left out in the sun and rain for the past 15years so the surface has begun to degrade (a good lesson in the Buddhist principle of Anicca ~ the impermanence of all things). The head has been reattached. The base is hollow- the only example I have ever seen with this. H: 27cm/10.6in and W: 11cm/4.2in.

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period...

Beautiful “Cizhou” type black storage jug with lugs probably used for preserved vegetables, circa Ming Dynasty. A very attractive piece with lovely contrasting black and russet glazes, and paraffin patina throughout. Good example what would have been used in an ancient Chinese kitchen. Perfect condition, except for one very small glaze chip inside the mouthrim, noted in last enragement. H: 18.5cm/7.2in and D: 18cm/7.1in.

Rare “sizhi” (four straight sides), inkstone circa Ming Dynasty. Good condition with one small chip noted in last enlargement. Please pay attention to the detail of the carving in enlargements (especially the footrim), the lines are graceful, and understated. A simple, elegant and still completely usable piece. L: 11.6cm/4.5in, H: 2cm/.8in and W: 7.8cm/3.1in.

Small porcelain Vietnamese shipwreck recovery water dropper in the shape of an elephant. The glaze has dissolved after so long under the water but the body is intact. This is most likely from the Cau Ma shipwreck, circa 1775, discovered off the coast of Vietnam. No chips or damage. L: 6.2cm/3.2in and H: 5cm/2in.