Catalog: Antiques: Regional Art: Asian: Chinese (222)

Charming Cizhou style ceramic pillow as a cat, circa late Qing to Republic period in perfect condtion! Great expression- captures the way a cat can gaze so intently at something while appearing calm- as if it is about to pounce on an unsuspecting prey. The Victoria and Albert have one in their TT Tsui Gallery and the Tianjin Porcelain Museum has one on display as well. L: 31cm/12.2in, H: 15.5cm/6.1in and W: 11.5cm/4.5in

Special Offer- Reduced from $1400 to $800. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in.

Beautiful black ovoid jar with some small russet speckles and streaks. This piece is in perfect condition with a near black glaze, from a Northern Kiln (most like Shanxi 山西 or Henan 河南), and dating to the Northern Song/Jin Dynasties. D: 14cm/5.5in and H: 10.5cm/4.1in.

Quirky Cizhou type, heavy, completely black glazed, waisted beaker from circa Ming Dynasty. Possibly this was used in a Chinese Apothecary, but this is just a best guess to its function. The hole on the bottom was made prior to firing and is part of the original design. Lovely thick glaze and aside from a couple of chips on the outside of the foot, in very good condition. H: 13cm/5.1in- width at base : 8.7cm/3.8in and width at mouthrim : 11cm/4.3in.

Pair of Tiele (Chinese Ironwood) Weiqi boxes, carved from solid wood. Weiqi was the forerunner of the Japanese board game of Go, and one of the Four Arts, that someone from the "gentleman class" were supposed to know. These boxes are used to put the stone pieces in. There is cyclical date which probably doesn’t go further back than 1972 therefore they could be 1984, 1996, 2008, 2000, 2012...

Lovely hand silk embroidered alter “skirt” with the Eight Chinese Immortals and three double happiness roundels at the top. I recently acquired this with a group of other vintage textiles; this is in perfect condition with a lovely palate of colors. Late 20th century, this would have been hung in in front of a temple altar table’s legs. H: 100cm/40in x W: 94cm/37in. Appears never to have been used.

Ensemble of three vintage carved horn seals in Kaishu script. The larger ones are made from buffalo horn while the smaller one is made from antelope horn and quite rare. See enlargements for scale. Free shipping.

Old hand carved wooden ink pad box circa first half 20th century. I think this is probably a Yao item, but as I purchased it in a Bai ethnic minority market in Yunnan, over 20 years ago, we’ll assume it is Bai. This has a floral pattern carved on the lid. The ink has long ago dried up. Nice natural patina. L: 7.2cm/2.9in x W: 5.8cm/2.3in x H: 3.2cm/1.3in.

Eclectic collection of 11 ground slate stone “arrowheads” circa 3000 BCE-1900 BCE. The artifacts correspond to the Longshan Culture or a concurrent culture. See enlargements for scale and condition.

Quirky glass ring emulating agate. This piece came from China but possibly is a trade object. I acquired this in a lot of other ancient pieces. A conservative dating to this is Qing Dynasty (1644-1911) and guarantees it to this period. There is one crack as well as some bubble burst pitting on the surface. Outer D: 2.8cm and inner D: 1.9cm.

Qing Dynasty, rare (no one I know has seen one before), silver amulet with a rat (definitely not a mouse). 2020 was the Chinese Lunar Calendar for the Metal Rat so this being a silver piece represents a full 60 year lunar cyclical completion this year. In Chinese society the Rat is considered clever, cultured, shrewd and intelligent although a bit manipulative (Mark Zuckerberg is a Rat). The reverse side wishes the owner “May you live 100 years”...

Ensemble of Qing Dynasty three matched lacquered panels depicting classic Chinese scenes. May be displayed individually or as a triptych. 1# Charming Qing Dynasty lacquered wood panel depicting a mother and child (we’re assuming a son) being presented to the father. Lifelike representation of people beneath clouds and willow trees. H: 27.5cm/10.8in and W: 20cm/7.9in…...

Intricate carved wall panel circa late 19th/early 20th century, with peach blossom and chrysanthemum floral medallions carved into hexagonal and cruciform shaped lattice work. See second enlargement to see crack and loss to corner- if framed properly these will not show. W: 46cm/18in and W: 24cm/9.5in

Republic or a little later, black and red lacquered “Dou” offering stem bowl (usually fruit) for an ancestral altar table, with gilt garden and scholar’s theme. This from Guangdong and made for a Chaozhou family, aka Teo Chew, aka Chiu Chow. W: 21cm/8.2in and H: 13cm/5.1 in. There is some warpage, noted in enlargements but if just turn it the right way you won’t notice.

Stunning antique abstract carving of a lotus circa late Qing/Republic era, this would have been a temple eaves adornment. W: 48cm/18.8in and H: 23cm/9in. Small damage, painted over in noted in 5# enlargement.

Lovely Qing Dynasty pendant of a monkey on a leaf, “staring at the moon”, carved from carnelian. An unusually fat piece with a rich dark color rarely seen in Chinese carnelian. L: 4.7cm/1.8in and W: 3.5cm/1.4in. There is one small chip on the back of the hole noted in 2nd enlargement. Included is an adjustable macramé cord, and free shipping via Hong Registered Airmail.

Deep brushwasher basin with two children on either side. Excellent condition, with light blue glaze and a porcelain body. The bodies of the figures are hand sculpted rather than molded, circa late Republic to early 60s. W: 17cm/6.8in and H:14.8cm/6.2in

Special offer- reduced from $1200- now $800 with shipping included. Rare stoneware jar circa Southern Song or Jin Dynasties jar with soy brown glaze and russet and Jun type, phosphatic splashes. This is heavily potted with an applied dragon chasing a flaming pearl. The brown glaze has a subtle metallic iron oxide patina. It is usually assumed that the blue splashes are accidental (serendipitous) rather than intentional in these brown glazes...