Catalog: Antiques: Regional Art: Asian: Chinese (228)

Tang terra cotta image of a Fat Lady. Traces of original pigment. Miniatures are extremely rare. H: Some shallow chips at the bottom- noted in enlargements. H: 7.8cm.

Tang terra cotta image of a Fat Lady. Traces of original pigments. Miniatures are extremely rare. H: 9.3cm. Good condition- no damage or repair.

Tang terra cotta image of a Fat Lady. Traces of original pigment (please note the belt in enlargements). Miniatures are extremely rare. H: 8.4cm. Good condition- no damage or repair.

Tang terra cotta image of a lady in waiting or courtesan, with elegant chignon. Traces of original pigment. Miniatures are extremely rare. H: 10.2cm. Good condition- no damage or repair.

Very rare pottery bowl and eclectic with Taoist imagery. This is made from a high fired light gray pottery, with traces of a white slip and depictions of musicians, dancers and “demon” masks. This is a funerary piece; the symbology suggests the transition from this world to the afterlife. D: 14cm/5.5in and H: 5.2cm/2in. No cracks original pigments with some kiln warpage

Good dark soy brown glazed ovoid jar Tang Dynasty from a northern kiln, nice size- H: 12.5cm/5in and D: 16.5cm6.5in. Some kiln flaws i.e., bubble pops and minor chip on side- please examine enlargements.

This is a 20th century hand painted on silk and traditionally scroll mounted homage the artist, Miao Jiahui a female painter who was the official personal artist to the Qing Dynasty Empress Dowager Cixi, Depicting chrysanthemums in vases and flower pots, there is a poem in the upper left hand corner translates roughly as “The late king likes to sleep in the garden of the chrysanthemums/ The tall vase is shaped by its surroundings/ Common eyes fear not because the autumn wind and sickness/...

230.00 Unusual gray stoneware jar found of the West Coast of Sri Lanka. Impossible to accurately identify it’s origin, I am assuming it is from East or Southeast Asia possibly even Japanese. This was acquired in Kandy, Sri Lanka over 20 years ago. I would date this to about 10th to 12th century. The mouthrim is unique, stopper would be inserted and covered than it tied down with a cord. H: 22cm/8.6in x D 17cm/6.8in. Very attractive piece, just a shallow chip on the mouth rim.

Good large Ming sancai ceramic wedding bed. These were interred in tombs of wealthy individuals to serve them in the afterlife. Nowadays they burn paper replicas instead. This piece has ornate eves in green and amber glaze, no cracks but some minor fritting. It is a large and heavy piece so free international shipping is offered via surface mail, if you would like a faster service than the buyer will pay the additional costs. Personally I have always thought these were ancestor shrines...

Traditional brush and ink Chinese painting of birds done in the style of Jin Cheng 金城. This homage was done in the 20th century and is very attractively mounted a silk scroll. Jin Cheng travelled internationally and was a founding member of the influential Chinese Painting Research Society (Zhongguo huaxue yanjiuhui) that became later known as the Hu Society (Hu she). The writing at the top right is an apocryphal dedication- gifted to Yu Po 1907...

Rare scholar’s item, Yue type glazed brushwasher in the shape of an alms bowl, circa 500-600CE from a southern kiln. This has two hairline cracks running off the rim (please see enlargements). Fired with a dense dark gray clay. D: 6.8cm/3.4in and H: 4.3cm/1.6in. Free shipping.

Rare image of a Qilin Chinese "unicorn" with stunning deep aquamarine Qingbai glaze. This is a fragment of a much larger piece, possibly a finial off a censer. H: 9.5cm/3.9in, W: 7cm/2.8in x 4.5cm/1.8in. The sculpture is in excellent condition, there is a film of hardpacked soil in the crevices which can be (see enlargements), this can be removed with a small blade with a bit of effort, soaking it in water for a week or so will help. I am leaving it on as it speaks to the age of this piece...

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

Small wide mouth grey pottery jar with “soy” brown glaze from an unknown Southern Kiln. The glaze resembles Jizhou ware. Circa Song Dynasty or earlier, the body is quite thinly potted with delicate lugs near the mouth. There is fritting on the mouth and handle but no cracks or chips. H: 9cm/3.5in and D: 6cm/2.3in.

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

Nice old well worn Qing Dynasty Shekwan green and blue flambé glazed pillow. 19th century- very nice impressed floral scroll and coin pattern unglazed ends. L: 34cm/13.5in and W: 10cm/4in. Here is an “amusing” Youtube video on opium pillows and their history from the US Drug Enforcement Administration (DEA) for your edification https://www.youtube.com/watch?v=6zOVd9LEabo&t=182s

Beautiful traditional Chinese brush painting of the Buddha mounted on a beige silk scroll, excellent condition. He is sitting on a lotus throne with his right hand raised in the Shuni mudra symbolizing patience and discipline. There is an apocryphal dating of 1845 Buddha’s Birthday, Daoguang reign and signature of Reqin. Mounted size is L: 203cm/80in and W: 78cm/31in- actual painting size is L:131cm/51in and W: 66cm/26in. Circa last quarter of 20th century.

Intriguing gold and black lacquered depiction of an Taoist immortal brewing the elixir of immortality in a gourd-(possibly Japanese). Condition: some lacquer losses, please examine enlargements. L: 35cm/13.8in x W: 17.5cm/6.9in.

Nice little wood carved architectural element in the shape of a foo dog circa late Qing Dynasty. The tip of the left ear is missing, otherwise good condition with well-preserved original gold and red lacquer 14.cm/5.5in.

Nice little wood carved architectural element in the shape of a foo dog circa late Qing Dynasty. This is in excellent condition with original lacquer. L: 14.5cm/5.8in.

Good Shiwan censer with beautiful and subtle white flambé moon white glaze circa late 19th or early 20th century - there is one hairline on the rim noted in enlargements. D: 15cm/5.8in and H: 9cm/3.5i

Chinese ceramic Buddha, circa 1900-1930 (Qing – Early Republic). The iconography is quite unusual there is a seated Buddha image on the chest, standing Buddha image on the back, and another image of the Buddha in Parinirvana reclining pose. Overall a very intriguing piece, possibly meant for export to another Asian nation. Excellent original condition- no cracks, chips or frits. H: 15cm/6in and W: 9cm/3.5in.

Qing Dynasty Jadeite fastener, stung on a macramé cord. L:4.6c7/1.8in, W: 2.8cm/1.2in, and thickness .5cm/.2in. Nice simple old piece, probably dyed (of the period) to emulate an earlier Nephrite piece. Some “flea bites”. Free registered airmail shipping.

Beautiful small Qing Dynasty Ding censer with glaze emulating bronze, ideal for the scholar’s desk Perfect original condition, there are couple of small areas on a side handle where the glaze did not take- just minor firing imperfection. H: 5cm/2in and D: 5.7cm.

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Set of Qing Dynasty silver repoussé Chinese child’s hat ornaments. Very sweet little collection of 5 Budai and a lions face. Budai H: 2.9cm/1.1in and W: 2cm/o.8in and lion face D: 4.4cm/1.7in. The lion face has missing enamel on one ear. Free shipping via Hong Kong Registered Airmail.

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Good Qing Dynasty, Chinese nephrite jade carving of a lotus seed pod. In Chinese culture this symbolizes fertility and a desire to have many children on another level the lotus reflects purity, strength and rebirth- as it rises from the mud and blooms into something beautiful. H: 3.5cm/1.4in and W: 4.2cm/1.6in x 3.1cm/1.3in. Good condition- no chips or cracks. 61grams.

Ensemble of seven small antique natural Burma Jade, circa Qing Dynasty “lucky charms", the green colors are original and will not fade. Scale is metric, see descriptions under enlargements. Free shipping.

Twin lotus pods on one stalk signify permanent and single minded love in old Chinese culture. This is Qing Dynasty natural Burmese Jadeite, the green color will not fade. Please note scale is metric. Free shipping.

Lovely carved nephrite pendant with classic “cat on a leaf” motif. This piece has been re-carved to appear as the cat is sitting on a peapod (peapods being one of the myriad of Chinese symbols wishing one to have many children), but was really done to hide the damage on the sides of a larger leaf. This sill retains it’s essence of “kittyness” as she reposes languidly on the leaf. L: 7cm/2.8in. Free shipping.

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

Simply elegant wood panel depicting a bird perched on a rock beneath plum blossom in the background there are mountains and trees. The carving is in perfect condition with traces of original blue pigment- please note the delicacy in which the bird’s legs were carved as well as the bare trees beneath the mountains and bracken ferns at the bottom of the foothill (if you use your imagination they look like high rise apartments). W: 27cm/6.8in and H: 21cm/8.6in

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.