Catalog: Antiques: Regional Art: Asian: Chinese (225)

Heirloom wedding blanket cover from the tiny Maonan ethnic minority of Guangxi, China. First half of the 20th century-made with natural undyed local cotton with the pattern with made from floss silk supplementary brocade weft symbols of phoenix, flowers and butterflies, and is in perfect condition with no holes or tears. Some of the more brightly colored purple aniline dyed silk threads have been rewoven into the patterns probably within the last 40 years but are certainly not new...

Fine three paneled wedding blanket from the Zhuang ethnic group, Southern China. W: 90cm/35.5in and L: 148cm/58in (with border W: 134cm/52in and L: 190cm/74in. Woven from all hand spun cotton and silk embroidery threads. Classic diamond and star pattern with “wanzi” swastika meander patterns on the border, also incorporated into this pattern are a few “Wang” characters (Chinese for king), which may be seen in the lower left side of the cover image...

Very rare pair of Yuan Dynasty Qingbai completely glazed jars with phoenix lids. These are high fired porcelain quality white bodied Jingdezhen wares with “iron rust” splashes and quirky applique figures. One is slightly larger than the other but both are from the same kiln and period. H: 40cm/15.8in x D:18cm/7in and H: 37cm/14.6in and D: 17.5cm/6.9in. There are Chinese characters at top of each jar the most legible one is “moon” and the incised one is …....

Fine and rare two paneled silk embroidered “wedding blanket” from the small Maonan minority people of northern Guangxi Zhuang Province. This piece is 60 to 90 years old with a hand spun cotton foundation and hand spun silk. The frontal surface of the blanket is decorated with embroidered floral and phoenix symbols and key fret pattern highlighted by “floating weft” threads...

Superb 3 paneled weaving from the Zhuang ethnic group in Guangxi Zhuang, Southern China. The body is woven from very fine handmade cotton thread while the weft supplementary embroidery is done with silk floss threads (the small blue indigo medallions are done with cotton). Quite a heavy piece because of all the embroidery. L: 161cm/63in and W: 100cm/39in.circa first half of the 20th century.

Collection of circa 1920s antique, mostly men’s cheongsams. Please see text below enlargements for dimensions. These are all hand sewn with good quality silk, with no tears or frays or deterioration of the fabric or thread. A couple have some light fading on the shoulders and minor staining. They may be worn by either sex. Anyway there are 14 pieces in all > additional close ups and condition reports available by request,

Song Dynasty Jun ware brush shaper or brushwasher. This was originally the base of flower vase which was later reworked into a scholar’s object. The brown clay indicates this was fired in Henan and in my opinion is representative of the kind that was acquired for the Imperial Qing collection rather then the more typical bowls and saucers. The top surface has more discoloration and minor scratches which indicates, that the repurposing was done some time ago...

Special Offer- Reduced from $1400 to $800. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in.

Special offer- reduced from $1200- now $800 with shipping included. Rare stoneware jar circa Southern Song or Jin Dynasties jar with soy brown glaze and russet and Jun type, phosphatic splashes. This is heavily potted with an applied dragon chasing a flaming pearl. The brown glaze has a subtle metallic iron oxide patina. It is usually assumed that the blue splashes are accidental (serendipitous) rather than intentional in these brown glazes...

Beautiful black ovoid jar with some small russet speckles and streaks. This piece is in perfect condition with a near black glaze, from a Northern Kiln (most like Shanxi 山西 or Henan 河南), and dating to the Northern Song/Jin Dynasties. D: 14cm/5.5in and H: 10.5cm/4.1in.

Old Chinese stone ware bottle. This shape is fairly generic and could date anywhere from Jin Dynasty to Ming, so I am taking the middle road and attributing it as Yuan. The mouth is chipped but it has a nice shape, note my photo editing software tend to truncate images, so this piece is more elegant in real life than the photos indicate. The glaze has traces of a paraffin patina. H: 24cm/9.5in and D: 18cm/7in.

Quirky glass ring emulating agate. This piece came from China but possibly is a trade object. I acquired this in a lot of other ancient pieces. A conservative dating to this is Qing Dynasty (1644-1911) and guarantees it to this period. There is one crack as well as some bubble burst pitting on the surface. Outer D: 2.8cm and inner D: 1.9cm.

A pair of old Burmese jade cigarette holders, they stopped making these about 40 years ago, since they have went out of fashion. The white jade has holder (L: 12.2cm/4.9in) has a few scratches and the darker one (L: 6.2cm/2.4in) has naturally occurring inclusions.

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

Nice old well worn Qing Dynasty Shekwan green and blue flambé glazed pillow. 19th century- very nice impressed floral scroll and coin pattern unglazed ends. L: 34cm/13.5in and W: 10cm/4in. Here is an “amusing” Youtube video on opium pillows and their history from the US Drug Enforcement Administration (DEA) for your edification https://www.youtube.com/watch?v=6zOVd9LEabo&t=182s

Very rare pottery bowl and eclectic with Taoist imagery. This is made from a high fired light gray pottery, with traces of a white slip and depictions of musicians, dancers and “demon” masks. This is a funerary piece; the symbology suggests the transition from this world to the afterlife. D: 14cm/5.5in and H: 5.2cm/2in. No cracks original pigments with some kiln warpage

Set of 3 “Socialist Kitsch”, porcelain brush pots with green Jingdezhen “China” marks inside the “bi” shaped footrims, circa 1960s-1970s. These all have the same mark and same dimensions H: 12cm/4.8in and D: 8.4cm/3.2in. Relatively good Jingdezhen quality porcelain, and simple polychrome decorations with revolutionary slogans. These were meant for mass consumption but amazingly little of it remains today...

Simple Han inkstone, polished smooth one side and rough underneath. Signs of exavation and typical distinct petrichor smell. L: 20cm/7.9in x 6.3cm/2.5in. Note last image is from Chinese Inkstones- Simon Kwan, for reference.