Catalog: Antiques: Regional Art (363)

Simply elegant wood panel depicting a bird perched on a rock beneath plum blossom in the background there are mountains and trees. The carving is in perfect condition with traces of original blue pigment- please note the delicacy in which the bird’s legs were carved as well as the bare trees beneath the mountains and bracken ferns at the bottom of the foothill (if you use your imagination they look like high rise apartments). W: 27cm/6.8in and H: 21cm/8.6in

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

Clay “tsa tsa” of a Lama, with traces of red pigment. Over 100 years old. H: 5.5cm/2.2in and W: 5cm/2in. Free shipping.

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Clay “tsa tsa”, over 100 years old, with six tantric deities- there is one repair, noted in enlargements. H: 5.8cm/2.2in and W: 5.3cm/2.1in. Free shipping.

Qing Dynasty Jadeite fastener, stung on a macramé cord. L:4.6c7/1.8in, W: 2.8cm/1.2in, and thickness .5cm/.2in. Nice simple old piece, probably dyed (of the period) to emulate an earlier Nephrite piece. Some “flea bites”. Free registered airmail shipping.

Good Mandalay period Nat circa last half 19th century, carved from alabaster with traces of original pigment, this ha very expressive face. Nats are spirits were historic characters that became deified or associated with places and elements of nature. Their veneration predates the acceptance of Buddhism but eventually was absorbed into mainstream Burmese Theravada Buddhism. H: 22cm. there are few shallow scuffs but otherwise good condition...

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Unique clear glass Sino Tibetan image of a Dakini, most likely cast from a mold. Basically even with the usual clay images it is problematic dating them as the molds may be old but the item recently made, this piece has traces of compacted soil, surface pitting and wear, as well as small Ming Dynasty Buddhist and Taoist clear glass charms having been documented, I feel a circa 100 year plus is a conservative dating...

Good Joseon Dynasty, 19th century stoneware cup/bowl with high footrim and pale greenish gray glaze and gray stoneware , this is a simple regional folk ware but has a pleasing almost celadon feel to it that needs to be held to be appreciated. There is some kiln grit in the cavetto as well as three minor hairline stress cracks. H: 8.7cm/3.5in and D: 13.1cm//5.2in.

Mixed collection of old beads… as follows the silver beads are old Sri Lanka beads as are the two cut cobalt blue crystal glass, two Khotan nephrite natural pebbles, one bowenite bead and two old banded agates. Scale is metric in enlargements. Free shipping.

Exquisite antique silver necklace, circa 19th century. Each tiny bead is hand folded into a geometrical shape, some of them still have traces of gold wash I doubt if this kind of craftsmanship can be done today. The hexagonal pendant opens up into a “secret” lime box, and the clam shell bead is actually a bell. Included is an ancient excavated garnet bead. Total Length: 87cm/34.3in. Small bead diameters are: 1mm-2mm/.04in-.08in. Total weight 60 grams. Free shipping.

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.

Impressive large standing wood sculpture of He Xiangu何仙姑- the only women in the pantheon of the Eight Chinese Immortals. This is at least Qing dynasty possibly earlier originally she would be holding a lotus in her hands. Once source describes her as being “the Patron Saint of Housewives”. Height: 97cm/38in and has a lovely benevolent expression. Condition as pictured, there is a dedication niche on back but the contents have been removed.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective...