Catalog: Antiques: Regional Art (363)

Very rare antique lacquer box from the Southern Shan States circa late 19th CE to early 20th CE. This a complete set (which is rare in itself these days). The pattern though simple is exquisitely detailed. Some craquelure on the surface, as is expected and few minor chips at the bottom of the lid. H 13.7cm/5.4in and D: 15.5cm/6.1in.

Very rare lacquer box with geometrical pattern and convex shaped lid and bottom. The lacquer is quite thick on this piece with an unusual motif. I have only seen two boxes in this style which came out of Yunnan, China, so these may have been made as trade items to Yi minority who seem to make similar, though less sophisticated, patterned lacquer pieces. This was made in the first half of the 20th century, and except for a chip on the lid surface it is in excellent condition...

Quirky strands of bronze beads and Kushan charm in the shape of a Hindu Trishula (trident). I acquired these with a group of Kanishka coins that were found in the same place, circa 100CE. Large strand 25cm/9.8in and small strand 9.5cm/3.8in (the holes were too small to fit on the same cord as the larger one). Weight total: 40 grams. See last enlargement for scale. .Free shipping Hong Kong Registered Airmail.

Nice old well worn Qing Dynasty Shekwan green and blue flambé glazed pillow. 19th century- very nice impressed floral scroll and coin pattern unglazed ends. L: 34cm/13.5in and W: 10cm/4in. Here is an “amusing” Youtube video on opium pillows and their history from the US Drug Enforcement Administration (DEA) for your edification https://www.youtube.com/watch?v=6zOVd9LEabo&t=182s

Lovely old Afghan Turkmen chuval/torba (door or floor cushion section) wool on wool weaving, all natural dyes circa 80 years old. Minor restoration around the edges but over all very good condition with an intricate pattern. Dimensions 120cm x 39cm.

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

Small wide mouth grey pottery jar with “soy” brown glaze from an unknown Southern Kiln. The glaze resembles Jizhou ware. Circa Song Dynasty or earlier, the body is quite thinly potted with delicate lugs near the mouth. There is fritting on the mouth and handle but no cracks or chips. H: 9cm/3.5in and D: 6cm/2.3in.

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

Rare image of a Qilin Chinese "unicorn" with stunning deep aquamarine Qingbai glaze. This is a fragment of a much larger piece, possibly a finial off a censer. H: 9.5cm/3.9in, W: 7cm/2.8in x 4.5cm/1.8in. The sculpture is in excellent condition, there is a film of hardpacked soil in the crevices which can be (see enlargements), this can be removed with a small blade with a bit of effort, soaking it in water for a week or so will help. I am leaving it on as it speaks to the age of this piece...

Rare scholar’s item, Yue type glazed brushwasher in the shape of an alms bowl, circa 500-600CE from a southern kiln. This has two hairline cracks running off the rim (please see enlargements). Fired with a dense dark gray clay. D: 6.8cm/3.4in and H: 4.3cm/1.6in. Free shipping.

Traditional brush and ink Chinese painting of birds done in the style of Jin Cheng 金城. This homage was done in the 20th century and is very attractively mounted a silk scroll. Jin Cheng travelled internationally and was a founding member of the influential Chinese Painting Research Society (Zhongguo huaxue yanjiuhui) that became later known as the Hu Society (Hu she). The writing at the top right is an apocryphal dedication- gifted to Yu Po 1907...

Good large Ming sancai ceramic wedding bed. These were interred in tombs of wealthy individuals to serve them in the afterlife. Nowadays they burn paper replicas instead. This piece has ornate eves in green and amber glaze, no cracks but some minor fritting. It is a large and heavy piece so free international shipping is offered via surface mail, if you would like a faster service than the buyer will pay the additional costs. Personally I have always thought these were ancestor shrines...

Unusual Jackwood paan (betel) tray with well carved Kandy style floral medallion in the center, this motif also emulates carvings on pillars in some ancient temple. The WHO advised the Sri Lankan government against the chewing of betel and it is now illegal- that is not to say that this really stops people from still doing it though. This an antique piece with one crack. W: 29.5cm/11.5in x W: 29.5cm/11.5in x H: 6cm/2.2in

230.00 Unusual gray stoneware jar found of the West Coast of Sri Lanka. Impossible to accurately identify it’s origin, I am assuming it is from East or Southeast Asia possibly even Japanese. This was acquired in Kandy, Sri Lanka over 20 years ago. I would date this to about 10th to 12th century. The mouthrim is unique, stopper would be inserted and covered than it tied down with a cord. H: 22cm/8.6in x D 17cm/6.8in. Very attractive piece, just a shallow chip on the mouth rim.

Quirky jack wood kitchen vegetable cutting board. I acquired this in Sri Lanka but it could also be Tamil. Beautiful patina naturally smooth surface. . L: 46.5cm/17.9in and W: 29.5cm/11.6in, and H: 4.5cm/1.8in.

Good Tamil, carved wood temple panel of the Hindu God Shiva manifested as Virabhadra, he is brandishing a sword and holds a shield. This was acquired in the late 1990s from a well-known Sri Lanka dealer and collector, from Kandy. This is a heavy (1.7kg), possibly Jack Fruit woodcarving...

Ensemble of vintage silver and ancient banded agate beads from Sri Lanka. These were acquired in Kandy in 1998 or 1989, the banded agates are all hand carved and are at least 1000 years old (conservatively). The silver beads are high content silver and intricately crafted with a 24K Asian style fastener. L: 52cm/20.5in. Combined eight 34 grams. See last enragement for scale. Free shipping.

Beautiful pre Viet Nam War woman’s sarong from the Stieng/Xtiêng ethnic group Vietnam. Semi antique/vintage over 50 years old, all hand spun and woven. The center red and black panel is quite striking. Some minor old repairs on the selvedge and the stitches holding the panels together have unraveled in a couple of places, but otherwise no tears, holes or stains. L 135cm/53in and W: 66cm/26in.

This is a 20th century hand painted on silk and traditionally scroll mounted homage the artist, Miao Jiahui a female painter who was the official personal artist to the Qing Dynasty Empress Dowager Cixi, Depicting chrysanthemums in vases and flower pots, there is a poem in the upper left hand corner translates roughly as “The late king likes to sleep in the garden of the chrysanthemums/ The tall vase is shaped by its surroundings/ Common eyes fear not because the autumn wind and sickness/...

Exceptional semi antique, over 70 years old, two paneled Tai Daeng (Red Tai) blanket from Northern Laos with supplementary weft silk Chinese Shou longevity character medallions and key fret design. The last time I was in Vientiane (13 years ago) textiles of this quality are no longer to be found. There are two repairs noted in enlargements 2 & 3 as well as some minor weft design loss...

Classic semi antique Laotian textile from the Tai Daeng ethnic group. This was acquired in 1991, just when Lao was opening itself for tourism and was about 30 years old at the time so this would date pre Vietnam War era. It is mounted onto a commercial Chinese chintz cloth border (looks original), made from all hand spun cotton and silk thread in the embroidery (except for the black pattern). There is one small repair noted in enlargements...

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period...

Collection of three vintage/antique cloth printing blocks from Tamil Nadu, carved from hard wood (probably Jackwood) all in excellent condition, acquired in India 30 years ago. Very decorative- may be hung on as a wall art ensemble. Large one: H: 26.3/10.4in x W: 16.4 cm/6.4in, round one D: 20.6 cm/10.2in and, small one H: 17.5/6.9in x W 8.3cm/3.2in.

Good dark soy brown glazed ovoid jar Tang Dynasty from a northern kiln, nice size- H: 12.5cm/5in and D: 16.5cm6.5in. Some kiln flaws i.e., bubble pops and minor chip on side- please examine enlargements.

Very rare pottery bowl and eclectic with Taoist imagery. This is made from a high fired light gray pottery, with traces of a white slip and depictions of musicians, dancers and “demon” masks. This is a funerary piece; the symbology suggests the transition from this world to the afterlife. D: 14cm/5.5in and H: 5.2cm/2in. No cracks original pigments with some kiln warpage

Very rare Tang Dynasty (618CE to 907CE) terra cotta wall tile depicting the face of a Zhemushou, a fierce guardian earth spirit meant to ward off evil. It is a trapezoidal shape with much of original red and black pigments intact. Some loss to the lower lip (please see enlargements). Lower W: 19cm/7.8in, upper W: 16cm/6.1in and H: 20cm/9in.

Old nephrite chord fastener, this shape and style are usually associated with horse tack and bridles. This archaic style has been found in the Tang and Liao periods. L: 2.7cm/1.1in, W: 2.1cm/o.8in and 1cm/0.4in thick. 12 grams.

Tang/Five Dynasties, stoneware jar with light olive green glaze and reddish clay body. The foot is rimless and concave. There is a “Jun” type glaze run on the body noted in enlargements- probably unintentional but interesting nonetheless. I have done simple repair on the mouth by filling a shallow chip and applying a layer of gold leaf. H: 12cm/4.8in and D: 9cm/3.5in.

Very fine, unusually small Tang image of a courtier, excellent condition with complete original pigments. Lovely face with calm and dignified expression. H: 17cm/6.8in

Tang Dynasty, high fired, white clay, statue of a court advisor. H: 25cm/9.8in. Good condition. FREE SHIPPING!

Good Tang Dynasty gray clay brick/tile depicting “Atlas” type, Yakshi figure seated on a lotus blossom. I was in Taxila, (cradle of Gandharan Civilization) and saw a similar figure. This illustrates the Greco/Roman influence in Tang art. The lotus shows indicates an obvious Buddhist connection. The left side of the face is molded a bit obscure, but no damage. An unusual piece, in that it is smaller than the other ones I have had- ergo cheaper shipping...

Beautiful image of Tang Dyansty noble woman or lady-in-waiting. Good condition no damage or repair. She is standing in relaxed natural pose, with a sweet face and complicated to coiled double chignon. H: 27cm/10.6in.

Jian ware black glazed bowl with fine russet hare’s fur streaks. Southern Song dynasty. No chips or cracks but there are areas where the glaze from another piece had fallen onto it during firing- the "wabi sabi" is strong in this one, suitable for a Japanese Tea Ceremony. D: 12.3cm/4.9in and H: 6.2cm/2.4in.

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Good bamboo handled knife with hand forged blade from the Karen ethnic group Northern Thai/Burma border. Total length 31cm/12in with good sharp edge- small nick at the tip off the blade which could be honed out, about 60 years old.

Rare black Lanna lacquer box circa 70 to 90 years old in excellent condition given its age, no repairs or big chunk missing, from Chiang Mai. Genuine old examples of Thai lacquer are quite rare these days as most have been bought up by Thai collectors. H: 8.7cm/3.4in and D: 11cm/4.2in.