Catalog: Antiques: Regional Art: Asian: Chinese (228)

Rare soy brown glazed stoneware vessel made in the shape of a grain silo. This basic style are well documented in Qingbai wares but this is the first I have seen in a brown glaze, also it has a fence going around the base which is quite unusual. It is in excellent condition with no repairs, cracks or fritting of the glaze and it is unusually large. H: 24cm/9.5in and D: 18cm/7in. It reminds me a lot of a Jizhou glaze but this seems heavier and more stable.

Fine and rare Longquan classic celadon bottle with an unusual shape- like a truncated meiping. The depth of the glaze achieves the ideal “jade like” quality that is much sought after by celadon collectors. The Ming attribution is conservative based on the inward beveling on the footrim and reddish slip visible on the glazed edge, but Yuan or Song cannot be completely ruled out...

Wholesale offer: Seven Ming bowls, 6 are already listed on my site (#7365, #7338, #7337, #7328, #7327, #7326) descriptions and enlargements under each catalogue number. The 7th one is in the last two last enlargements- some kiln warpage but no cracks or chips D:13cm/5.1in and H: 6cm/3.2in.

Maginficent, antique basket from the Naxi/Nakhi ethnic group in Yunnan province. I purchased this in 2001 at local market in Lijiang (now a UNESCO heritage site). Constructed of bamboo with much of lacquer intact, this piece is circa 50 to 80 years old, most interesting is an auspicious coin symbol woven into the top. This kind of thing always reminds of the labor intensiveness that is put in to decorating such a humble object...

Fine old, three paneled, supplementary weft embroidered wedding blanket from the Zhuang ethnic group Guizhou Province China. Handspun and handwoven cotton thread foundation and silk for the embroidery. The central area is dominated by the “well” “#” pattern, while the border is a combination of the “well” pattern inside a “wanzi” swastika meander. There are few small faded areas but no holes or tears. W: 104cm/40in and L: 140cm/56in.

Elegantly simple burnished high fired pottery cup from Warring States to Early Han Dynasty. There is one crack and a couple of chips noted in last enlargements. Pretty much to be expected from an over 2000 year old pottery piece. D:9.9cm/3.9in and H: 7cm/2.7in.

Special offer- marked down from $600. Fine three panel wedding blanket from the Bouyi (Buyi) ethnic group Libo County, Guizhou, China. The Bouyi are a relatively small ethnic group- so embroideries from them have become quite scarce. The supplementary weft “well” patterned embroidery is silk except for the black medallions- the field is all handspun cotton. The black border is a later addition made from hand woven cotton. Circa mid 20th century very good condition...

Good dark soy brown glazed ovoid jar Tang Dynasty from a northern kiln, nice size- H: 12.5cm/5in and D: 16.5cm6.5in. Some kiln flaws i.e., bubble pops and minor chip on side- please examine enlargements.

Good large Ming sancai ceramic wedding bed. These were interred in tombs of wealthy individuals to serve them in the afterlife. Nowadays they burn paper replicas instead. This piece has ornate eves in green and amber glaze, no cracks but some minor fritting. It is a large and heavy piece so free international shipping is offered via surface mail, if you would like a faster service than the buyer will pay the additional costs. Personally I have always thought these were ancestor shrines...

Exceptionally rare baby blanket from the Tujia weavers of Longshan County, Hunan Province, China. I have been looking for one of these for years and this is the first complete blanket I have ever found, albeit the lower two border panels come from a different piece. This incorporates the unique white tiger motif (see enlargement #3) which is believed to give the baby protection. For the Tujia the white Tiger is a totemic ancestor deity...

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Rare Ming porcelain classic “eight trigram” design censer from the Jingdezhen kiln, with celadon glaze, on three small feet. This is easily mistaken for a stoneware Longquan ware, so please view last enlargements to see the white clay showing through the unglazed portion, unlike the grayish clay from Longquan. This piece is perfect condition. D: 13cm/5.1in and H: 5cm/2in.

Gorgeous old silk brocade supplementary weft embroidered on cotton backing from the Mulao ethnic group, circa first half 20th CE. The foundation is woven with handspun blue cotton threads and silk weft embroidered, phoenix, butterfly and floral images against a “key fret” background. L: 109cm/42in and W: 68cm/26in (with cotton border L: 128cm/50in and W: 83cm/32in)...

Pair of large Han Dynasty “ear cups”- er’bei. These are have an outstanding rich green lead glaze, with paraffin patina and high relief wave pattern on the sides. Please note last two enlargements- there are two professional quality repairs. L: 13cm/5.1in, W: 12cm.5/4.8in and H: 4cm/1.6in.

Ma Quan was a female artist active in 17th and 18th centuries famous for her birds and flower paintings. This is a homage to her made in the 20th century, hand painted ink on paper traditionally mounted on a silk paper scroll. H: 126cm/50in and W: 63cm/24in- mounted dimensions H: 200cm/78in and W: 78cm/30in.

Rare “spirit calling” bell from the Yao Mien ethnic group of Guangxi, Vietnam, Laos. This would be used in Daoist ceremonies by Dao Guang priests and an example may be seen in Jess Pourret’s book: The Yao, plate 570, pg 207. The bell is attached to a bear’s tooth and has a "sweet" tone. This a genuinely old piece, circa late 19to early 20 the century. Please see last enlargement for scale. Free shipping.

Ming Dynasty Tudigong 土地公 Rare Ming Dynasty (1368-1644 CE) pottery image of the Taoist “folk” God, Tudi Gong. He is a very popular God and is considered a community guardian, which is why you will see his small shrines in rural villages and urban neighborhoods, venerated by common people. Literally he is an erath God (God of the soil)...

Rare early “si zhi” (four straight lines) style inkstone carved from an old fired brick. The characters on the brick are in an archaic style, no longer in use today. The square shaped flat bottomed inkstone with sloping grinding surface did not become popular until the Song Dynasty, so it is possible this was made into a inkstone long after it was a brick. Chinese are very fond of creating ink stones out of “found objects” such as roof tiles etc...