Catalog: Antiques: Regional Art (370)

Nice old antique black lacquered bamboo and wood box from Cambodia circa 1950 or earlier. This part of a collection I acquired almost 20 years ago. Khmer lacquer is quite rare, not many crafts survived the Khmer Rouge era, and is a lost art. Some wear and restoration as to be expected but no major damage. D: 5cm/7.8in and H: 10.5cm/4.1in.

Nice old Cambodian “siri” box. This piece predates the Khmer Rouge regime and circa 60 or 70 years old. In good condition, this has an unusual 4 carved bamboo bands- most only have 1 or 2, so it is quite ornate There is no significant damage other expected signs of use and wear. In recent years Khmer lacquerware is making a comeback, however most of this is used for “home décor” export items, as far as I know no one is currently resurrected items for common household use...

Ensemble of 6 breast panels from the Khami or Mro subgroup of the Chin ethnic group, Arrakan State Burma. Antique 1950s or older. Sizes- L: 66cm26in and W: 34cm/13.4in (more or less). Condition as pictured.

Woman's Blanket from the Chin, Mizo people of Assam or Western Burma. This type of “prestige cloth” would be worn only by women on ceremonial occasions. Some stains, splits at the ends but exceptionally rare and very fine weaving incorporating several techniques. Silk warp cotton weft. Approximately circa 50- 80 years old. W: 101cm/40in and L: 236cm/93in

Rare cream colored glazed Myanmar bowl with incised lotus and flared rim design circa 13th/14th CE, found at the Tak Hilltop Burial Site along the border of Burma and Thailand. I bought this about 20 years ago, now you cannot find these anymore. There are 3 repairs on the rim. Of these white wares from Burma, I have only seen one unrestored piece. D: 17.7cm/7in and H: 7.5cm/2.9in.

200.00 Large pale green glazed plate with incised decoration, most likely fired at the Thantwe kiln near present day Rangoon, Burma. Excavated from the Tak Burial site near, Mae Sot along the Thai/Burmese border. This can be reliably dated to least 14th/16th centuries due to other known and datable ceramics from China and Thailand that were found in the same strata...

Large pale green glazed plate with incised decoration, most likely from the Thantwe kiln near present day Rangoon, Burma. Excavated from the Tak Burial site near, Mae Sot along the Thai/Burmese border. This can be reliably dated to least 14th/16th centuries due to other known and datable ceramics from China and Thailand that were found in the same strata...

Very good, Pagan 12th century, impressed image of the Buddha inset a niche, flanked by stupas and two lines of Nagari script beneath. Overall the details are crisp and the interplay between light and shadow on this piece are quite dramatic. The best examples of this type reside in the Ashmolean and British Museums...

Good Mandalay period Nat circa last half 19th century, carved from alabaster with traces of original pigment, this ha very expressive face. Nats are spirits were historic characters that became deified or associated with places and elements of nature. Their veneration predates the acceptance of Buddhism but eventually was absorbed into mainstream Burmese Theravada Buddhism. H: 22cm. there are few shallow scuffs but otherwise good condition...

Two rare Burmese/Shan small betel containers, 60 to 100 years old with “ku-nan kan byat” patterns and original inner trays. Genuine antique Burmese lacquer is almost impossible to find these days; I picked the larger one up in a small shop Luang Prabang, Laos in 1998. H: 8.7cm/3.4in and W: 10.2cm/4in, and the smaller one, H: 6.7cm/2.7in and D: 7.7cm/3in, in Chiang Mai this year. These have some old repairs, as well as a pleasing craclature typical of antique Burmese lacquer.

Lovely old Burmese lacquer box with a finely woven lattice work, insert lid (I assume to keep the flies off your “tiffin”) or used to sieve. Circa 60-90 years old, it is very thin and lightweight and the body is constructed of bamboo., I acquired this in a Pagan, lacquer shop about 20 years ago. Excellent original condition with minor lacquer loss at the bottom’s edge as to be expected from a genuinely old piece. D: 30.5cm/12in and H: 16cm/6.2in.

Charming box with sliding lid at the top carved into the shape of an elephant, circa early 20th century with traces of original lacquer. Please examine the enlargements to see the harness and trappinsg carved into the body. Good condition. L: 17.5cm6.9in and H: 10.2cm/4in.

Lovely old Burma betel/siri/pandan box-a rare find with complete and original trays circa 1940 to 1950, and no restoration. The lid is semi domed with 8 planets pattern and central peacock medallion, the side has dancers and an assortment of abstract mythical beasts. Minor losses to lacquer on the lid (please see enlargements). Signed in Burmese script Saya(Sir)Kyi ~Myingabar Quarter,Pagan. Please see last enlargement for reference. D: 19cm/7.5in and H: 17cm/6.8in.

Very fine, complete (both original inner trays included) betel box in excellent condition circa first half 20 the century. Composed of red, black and green lacquer depicting monkeys against an abstract foliate background. Some surface craquelure as to be expected on old lacquerware. D: 18.5cm/7.2in and H: 10.5cm/4.1in.

Good vintage Burmese baby boy puppet with articulated arms and legs, carved circa 1980s/1990s, head to toe H: 22cm/8.6cm. Free Shipping

Pair of Terra cotta antique, roof “end tile” depicting apsara from a Wat (Thai Buddhist Temple). 14cm/5.5in height, Ayutthaya Period (1351 to 1767), very decorative. Condition as pictured.

Deep brushwasher basin with two children on either side. Excellent condition, with light blue glaze and a porcelain body. The bodies of the figures are hand sculpted rather than molded, circa late Republic to early 60s. W: 17cm/6.8in and H:14.8cm/6.2in

Special offer- reduced from $1200- now $800 with shipping included. Rare stoneware jar circa Southern Song or Jin Dynasties jar with soy brown glaze and russet and Jun type, phosphatic splashes. This is heavily potted with an applied dragon chasing a flaming pearl. The brown glaze has a subtle metallic iron oxide patina. It is usually assumed that the blue splashes are accidental (serendipitous) rather than intentional in these brown glazes...