Catalog: Antiques: Regional Art: Asian (361)

Lovely pair of exquisite, miniature porcelain vases with Ge type glaze circa mid-20th century (possibly older). On the bottom there are two characters “ya wan”, meaning elegant entertainment. These might have been made for a private collection, this is a specialist craft that requires a high level of skill. Would make classic doll’s house furniture. H: 5cm/2in and D: 2.4cm/1in. Free shipping.

Good white nephrite reproduction of Western Zhou to Han Dynasty of an oval shaped Jade Bi with Chilong mythical beasts. Considering that an original would be over $100,000 USD, this the next best thing. L: 12cm/4.8in and W: 9cm/3.5in.L: 12cm/4.8in and W: 9cm/3.5in. Free shipping.

Vintage wooden stand made from boxwood .This was made circa 1950/1970. I acquired it from an expat estate in 1987. It was previously owned by an American executive who worked in Hong Kong from 1950s to 1970s. There is small bit of the tip missing- noted in 2nd enlargement, and the the upper part is a bit discolored due to being left in the sun for many years. L: 18cm/7in and H: 9cm/3.5in

Matched pair of late Qing Dynasty Beijing Milk Glass Bangles emulating Burmese Jade. These have an opalescent glow, with each having a tiny Jade green splash on the side. Made for the “poor folks” these are hand pulled- made from a straight piece, wound and quickly fused together. The glass has a lot of tiny bubbles (like a glass of champagne) and they are both in excellent condition. No chips, scratches or breaks. Outer diameter: 73mm, inner diameter: 55mm...

Rare early 20th century Yi minority lacquered box constructed from leather. I purchased this piece in a Bai minority, weekly market in Yunnan near Dali around 2002. I assume this is now an extinct craft no longer being done because of the availability of cheap plastic items as well as the migration of artisans to better paying jobs in the city. Very minor lacquer losses on the edge. Excellent condition. H: 5cm/2in

Very fine, signed, men’s blanket from the Biboki, Feotle'u area West Timor, Indonesia. The the name of the weaver’s family, were woven into this. W: 114cm/44.8in and L: 186cm/73in, except for the yellow and blue lines this is woven from all naturally dyed handspun thread. Dating circa 1950 to 1960.

Rare complete lacquer tobacco box with trays from the Karen hilltribe ethnic group Northern Thailand. Next to nothing has written about this craft amongst the Karen people although they are known for their water tight baskets using lacquer to seal the weave. H: 9.5cm/3.8in and D: 8.6cm/3.3in.

Old embroidered jacket panel from the Miao/Dong ethnic group Southwest China, with abstract floral pattern. Avery lovely piece- the pattern seems to shimmer as if floating on a pond of water. See image for condition and size. Free Shipping

Good Qing Dynasty nephrite archer’s ring. This is a small size and may be worn on the finger as a normal ring. Excellent condition, no chips or cracks- one naturally occurring inclusion. Outer D: 2.8cm, inner D: 2cm, and H: 2.2cm. Free shipping.

Magnificent lacquered basket with domed lid from the Karen ethnic group Northeast Thailand. The walls are constructed of strips of bamboo with rattan bindings and wooden base. The lid has one layer of woven bamboo with a tihck layer of natural lacquer while the lower half has a classic double layered wall with another coating of lacquer inside, which would have made this piece virtually water proof. Minor layers of lacquer loss in the interior, otherwise super fine condition...

Special Offer: 6 Antique/vintage Miao (possibly Dong) minority embroidered clothing panels. These are listed individually on my site at $50-$80 each. Search Miao Panel on my site for close ups of individual pieces. L: 54cm/21in x W: 17cmcm/6.5in (more or less). Free shipping.

Fine old, three paneled, supplementary weft embroidered wedding blanket from the Zhuang ethnic group Guizhou Province China. Handspun and handwoven cotton thread foundation and silk for the embroidery. The central area is dominated by the “well” “#” pattern, while the border is a combination of the “well” pattern inside a “wanzi” swastika meander. There are few small faded areas but no holes or tears. W: 104cm/40in and L: 140cm/56in.

Fine and rare old rattan “tali” basket with a contracted mouth from the Idu Mishmi ethnic group of Arunachal Pradesh, India. In India they are primarily animist but in China where they are known as the Lhoba they have a strong spiritual affiliations with Tibetan Buddhism. Google “Bamboo and Cane Culture of Arunchal Pradesh” and you will get a good description of this regional craft...

Intricate carved wall panel circa late 19th/early 20th century, with peach blossom and chrysanthemum floral medallions carved into hexagonal and cruciform shaped lattice work. See second enlargement to see crack and loss to corner- if framed properly these will not show. W: 46cm/18in and W: 24cm/9.5in

Fine and rare two paneled silk embroidered “wedding blanket” from the small Maonan minority people of northern Guangxi Zhuang Province. This piece is 60 to 90 years old with a hand spun cotton foundation and hand spun silk. The frontal surface of the blanket is decorated with embroidered floral and phoenix symbols and key fret pattern highlighted by “floating weft” threads...

Lovely Iban woman’s skirt from the Kapit region in Sarawak, circa 1940-1950. The broad center field is woven from handspun cotton and natural dyes. The red use in this is particularly rich. The narrow bands on the side are made of commercial thread and dye. This has a Bangit fruit pattern, which signifies “abundance”. There are a few minor frays and inevitable “pinholes”, but IMO the condition is good. L: 102cm/40in and W: 52cm/20.5in...

Fine cowrie shell necklace from northwest Burma, probably Naga on a hand woven macramé cotton cord. This is an old set, circa 80 years with an excellent worn natural patina and almost porcelain like surface these need to be handled to be appreciated. Please note that each bead is hand carved to nest into the other so when strung together and worn the necklace hangs in a circular fashion...

Nice old Yao (also known as Mien) Taoist shaman “yen” chop, used to send messages to the Gods. Reference “The Yao” by Jess Pourret pgs 206 & 207. These came from the Sino/Lao Fansipan Mountains border area and date circa 80 to 90 years old. 3.6cm/1.4in x 3.6cm/1.4in x 3.6cm/1.4in. Free shipping.

Very rare lacquer box with geometrical pattern and convex shaped lid and bottom. The lacquer is quite thick on this piece with an unusual motif. I have only seen two boxes in this style which came out of Yunnan, China, so these may have been made as trade items to Yi minority who seem to make similar, though less sophisticated, patterned lacquer pieces. This was made in the first half of the 20th century, and except for a chip on the lid surface it is in excellent condition...

Mid 20th century textile from the Mulao ethnic group Guangxi Zhuang Autonomous Province. This is a two paneled blanket with original border and supplementary weft silk embroidered pattern phoenix and flowers on a cotton field “key fret” pattern- all handspun threads. Good condition - no holes or missing embroidery threads. L: 110cm/43in and W: 66cm/cm/26in- with blue cotton border L: 153cm/59in and W: 110cm/43on.

Fine old Yao embroidery with Chinese characters, from the Kin Mun Lantien subgroup Yunnan/Vietnam. This piece is in excellent condition with no damage, but the indigo has “bled” and is circa early 20th century. It is made from all handspun cotton with an intense indigo dye. These are documented in the Jess Pourret book “The Yao”. Embroidered patch W: 14cm/5.5in and L: 20cm/7.9- with fringe 139cm/54in. Free shipping.

Wholesale lot of 50 vintage jadeite crosses (plus a few odd leftover bits). These were carved in the 60s through the 80s, and each cross consists of three pieces, meaning they will have to be remounted in would or metal. The jade is fairly good quality and is not dyed, some have small splashes of apple green. May be incorporated into secular jewelry, ideal for a jewelry maker. Lengths vary between 2.2cm and 5.cm

Rare woman’s pictorial shoulder cloth from a Chin subgroup (Khami, Khumi or Mro) living in the Rakhine and Chin states, west Myanmar. Please note that the pattern is hand embroidered on one side only and not woven in, also most of the geometric woven patterns are unique with only a couple of repetitions. The dimensions are L: 123cm/63in x W: 34cm/13.5in. I have three books and Burmese textiles and there are no depicted examples of pictorial weaves. Circa 50 to 60 years old.

Two rare Burmese/Shan small betel containers, 60 to 100 years old with “ku-nan kan byat” patterns and original inner trays. Genuine antique Burmese lacquer is almost impossible to find these days; I picked the larger one up in a small shop Luang Prabang, Laos in 1998. H: 8.7cm/3.4in and W: 10.2cm/4in, and the smaller one, H: 6.7cm/2.7in and D: 7.7cm/3in, in Chiang Mai this year. These have some old repairs, as well as a pleasing craclature typical of antique Burmese lacquer.

Beautiful small Qing Dynasty Ding censer with glaze emulating bronze, ideal for the scholar’s desk Perfect original condition, there are couple of small areas on a side handle where the glaze did not take- just minor firing imperfection. H: 5cm/2in and D: 5.7cm.

Twin lotus pods on one stalk signify permanent and single minded love in old Chinese culture. This is Qing Dynasty natural Burmese Jadeite, the green color will not fade. Please note scale is metric. Free shipping.

Simply elegant wood panel depicting a bird perched on a rock beneath plum blossom in the background there are mountains and trees. The carving is in perfect condition with traces of original blue pigment- please note the delicacy in which the bird’s legs were carved as well as the bare trees beneath the mountains and bracken ferns at the bottom of the foothill (if you use your imagination they look like high rise apartments). W: 27cm/6.8in and H: 21cm/8.6in

Quirky glass ring emulating agate. This piece came from China but possibly is a trade object. I acquired this in a lot of other ancient pieces. A conservative dating to this is Qing Dynasty (1644-1911) and guarantees it to this period. There is one crack as well as some bubble burst pitting on the surface. Outer D: 2.8cm and inner D: 1.9cm.

Ruby red Beijing glass, Qing Dynasty snuff bottle. The neck has an old silver repair. H: 7.8cm/3in and W: 6cm/2.3in.Free shipping.

Hetian nephrite jade pendant with illegible archaic script incised on the surface. Cut from the edge of a jade boulder, this piece has a natural shape and “organic” feel. The russet highlights are attractive but artificially induced. H: 5.4cm/2.2in and W: 3.3cm/1.3in- 33 grams.

Qing Dynasty, rare (no one I know has seen one before), silver amulet with a rat (definitely not a mouse). 2020 was the Chinese Lunar Calendar for the Metal Rat so this being a silver piece represents a full 60 year lunar cyclical completion this year. In Chinese society the Rat is considered clever, cultured, shrewd and intelligent although a bit manipulative (Mark Zuckerberg is a Rat). The reverse side wishes the owner “May you live 100 years”...

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

Chinese ceramic Buddha, circa 1900-1930 (Qing – Early Republic). The iconography is quite unusual there is a seated Buddha image on the chest, standing Buddha image on the back, and another image of the Buddha in Parinirvana reclining pose. Overall a very intriguing piece, possibly meant for export to another Asian nation. Excellent original condition- no cracks, chips or frits. H: 15cm/6in and W: 9cm/3.5in.

Good Mandalay period Nat circa last half 19th century, carved from alabaster with traces of original pigment, this ha very expressive face. Nats are spirits were historic characters that became deified or associated with places and elements of nature. Their veneration predates the acceptance of Buddhism but eventually was absorbed into mainstream Burmese Theravada Buddhism. H: 22cm. there are few shallow scuffs but otherwise good condition...

Exquisite antique silver necklace, circa 19th century. Each tiny bead is hand folded into a geometrical shape, some of them still have traces of gold wash I doubt if this kind of craftsmanship can be done today. The hexagonal pendant opens up into a “secret” lime box, and the clam shell bead is actually a bell. Included is an ancient excavated garnet bead. Total Length: 87cm/34.3in. Small bead diameters are: 1mm-2mm/.04in-.08in. Total weight 60 grams. Free shipping.

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts. The calligr...

Good Joseon Dynasty, 19th century stoneware cup/bowl with high footrim and pale greenish gray glaze and gray stoneware , this is a simple regional folk ware but has a pleasing almost celadon feel to it that needs to be held to be appreciated. There is some kiln grit in the cavetto as well as three minor hairline stress cracks. H: 8.7cm/3.5in and D: 13.1cm//5.2in.

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Good Tamil, carved wood temple panel of the Hindu God Shiva manifested as Virabhadra, he is brandishing a sword and holds a shield. This was acquired in the late 1990s from a well-known Sri Lanka dealer and collector, from Kandy. This is a heavy (1.7kg), possibly Jack Fruit woodcarving. Very good condition, carved from a single piece of wood, the front of this piece has been lacquered but the back is untreated and has some bug damage and decomposition, but having said this it is stable...

Clay “tsa tsa” of a Lama, with traces of red pigment. Over 100 years old. H: 5.5cm/2.2in and W: 5cm/2in. Free shipping.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective. Personally I prefer Shan lacquer more than Burmese because the designs tend to...

Mixed collection of old beads… as follows the silver beads are old Sri Lanka beads as are the two cut cobalt blue crystal glass, two Khotan nephrite natural pebbles, one bowenite bead and two old banded agates. Scale is metric in enlargements. Free shipping.

Clay “tsa tsa”, over 100 years old, with six tantric deities- there is one repair, noted in enlargements. H: 5.8cm/2.2in and W: 5.3cm/2.1in. Free shipping.

Impressive large standing wood sculpture of He Xiangu何仙姑- the only women in the pantheon of the Eight Chinese Immortals. This is at least Qing dynasty possibly earlier originally she would be holding a lotus in her hands. Once source describes her as being “the Patron Saint of Housewives”. Height: 97cm/38in and has a lovely benevolent expression. Condition as pictured, there is a dedication niche on back but the contents have been removed.

Qing Dynasty Jadeite fastener, stung on a macramé cord. L:4.6c7/1.8in, W: 2.8cm/1.2in, and thickness .5cm/.2in. Nice simple old piece, probably dyed (of the period) to emulate an earlier Nephrite piece. Some “flea bites”. Free registered airmail shipping.

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Early 19th century lacquer box from the Gadu-Gadan region with domed top and bottom (philone gaunglone). There are 16 separate panels decorated with mythical beasts, dancers and quirky symbols on the side and bird pattern on the top and bottom. Please note last photo for reference which is dated 1850 (possibly earlier) from Lacquerware Journeys—Than Htun. The piece I have is actually far more intricate. It is extremely rare to see a piece of Burmese lacquer of this age outside of...

Nice Thai pottery votive plaque circa early Ayutthaya period. In the center is the Buddha with classic Bhumiparsa mudra, flanked by two pillars and Sukhothai style walking Buddhas. Good condition and guaranteed of the period. H: 6cm/2.4 and W: 5.1cm/2in. Free shipping.

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period. Incorporated into the style is the much loved “bhumiparsha“ mudra, with stylized lotus lea...

Rare antique classical period Kandyan standing Buddha, carved from Jackwood, circa 18thCE. H: 18cm/7in, please note in enlargements outstretched hand in the abhaya mudra and unisha are missing.

Alabaster Shan Buddha circa 18th century. This has been left out in the sun and rain for the past 15years so the surface has begun to degrade (a good lesson in the Buddhist principle of Anicca ~ the impermanence of all things). The head has been reattached. The base is hollow- the only example I have ever seen with this. H: 27cm/10.6in and W: 11cm/4.2in.

Good Qing Dynasty, Chinese nephrite jade carving of a lotus seed pod. In Chinese culture this symbolizes fertility and a desire to have many children on another level the lotus reflects purity, strength and rebirth- as it rises from the mud and blooms into something beautiful. H: 3.5cm/1.4in and W: 4.2cm/1.6in x 3.1cm/1.3in. Good condition- no chips or cracks. 61grams.

Charming Ming Dynasty bowl with a pattern of a water buffalos in three different poses, there is hairline crack and gold leaf and lacquer repaired chip. D: 11.5cm/4.5in and H: 4.5cm/1.8in.

Quirky Cizhou type, heavy, completely black glazed, waisted beaker from circa Ming Dynasty. Possibly this was used in a Chinese Apothecary, but this is just a best guess to its function. The hole on the bottom was made prior to firing and is part of the original design. Lovely thick glaze and aside from a couple of chips on the outside of the foot, in very good condition. H: 13cm/5.1in- width at base : 8.7cm/3.8in and width at mouthrim : 11cm/4.3in.

Rare “sizhi” (four straight sides), inkstone circa Ming Dynasty. Good condition with one small chip noted in last enlargement. Please pay attention to the detail of the carving in enlargements (especially the footrim), the lines are graceful, and understated. A simple, elegant and still completely usable piece. L: 11.6cm/4.5in, H: 2cm/.8in and W: 7.8cm/3.1in.

Two small Ming jarlets. Sort of wabi-sabi, but no major damage. There are some surface glaze firing cracks and fritting on the mouth rim on the larger jar. Larger jar D: 6.7cm/2.7in and H: 5.3cm/2.1in, smaller jar D: 5.8cm/2.3in and H: 5cm/1.9in.

Lao or Lanna Thai, gold and silver foil repousséd Buddha, circa 14th-18thCE. No unisha some restoration- please view enlargements. H: 10cm/4in x W: (base) 7cm/2.8in. Provenance: Bonham’s Australia, Dec 7, 2022, lot 136, previously BC Galleries, Melbourne, Nov 18, 2013