Catalog: Antiques (368)

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Good Mandalay period Nat circa last half 19th century, carved from alabaster with traces of original pigment, this ha very expressive face. Nats are spirits were historic characters that became deified or associated with places and elements of nature. Their veneration predates the acceptance of Buddhism but eventually was absorbed into mainstream Burmese Theravada Buddhism. H: 22cm. there are few shallow scuffs but otherwise good condition...

Good Joseon Dynasty, 19th century stoneware cup/bowl with high footrim and pale greenish gray glaze and gray stoneware , this is a simple regional folk ware but has a pleasing almost celadon feel to it that needs to be held to be appreciated. There is some kiln grit in the cavetto as well as three minor hairline stress cracks. H: 8.7cm/3.5in and D: 13.1cm//5.2in.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective...

Clay “tsa tsa”, over 100 years old, with six tantric deities- there is one repair, noted in enlargements. H: 5.8cm/2.2in and W: 5.3cm/2.1in. Free shipping.

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Exquisite antique silver necklace, circa 19th century. Each tiny bead is hand folded into a geometrical shape, some of them still have traces of gold wash I doubt if this kind of craftsmanship can be done today. The hexagonal pendant opens up into a “secret” lime box, and the clam shell bead is actually a bell. Included is an ancient excavated garnet bead. Total Length: 87cm/34.3in. Small bead diameters are: 1mm-2mm/.04in-.08in. Total weight 60 grams. Free shipping.

Early 19th century lacquer box from the Gadu-Gadan region with domed top and bottom (philone gaunglone). There are 16 separate panels decorated with mythical beasts, dancers and quirky symbols on the side and bird pattern on the top and bottom. Please note last photo for reference which is dated 1850 (possibly earlier) from Lacquerware Journeys—Than Htun. The piece I have is actually far more intricate...

Nice Thai pottery votive plaque circa early Ayutthaya period. In the center is the Buddha with classic Bhumiparsa mudra, flanked by two pillars and Sukhothai style walking Buddhas. Good condition and guaranteed of the period. H: 6cm/2.4 and W: 5.1cm/2in. Free shipping.

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period...

Alabaster Shan Buddha circa 18th century. This has been left out in the sun and rain for the past 15years so the surface has begun to degrade (a good lesson in the Buddhist principle of Anicca ~ the impermanence of all things). The head has been reattached. The base is hollow- the only example I have ever seen with this. H: 27cm/10.6in and W: 11cm/4.2in.

Special Offer: Reduced from $250- now $150. Large Ming jar with blue underglaze chrysanthemum pattern and perfect condition. This was fired in Guangdong Province and locally this type is referred to as a “gunpowder” jar although, I don’t know if this was it what it was really used for. Included is a decent wood lid. H: 20cm/7.9in and W: 19cm7.5in.

Good Ming blue and white porcelain bowl with images of boatmen on a lake. Good condition- no cracks or chips. D: 13.4cm/5.6in and H: 5.1cm/2in.

Rare 4.9cm/1.9in Thai stoneware bowl from the Sankampaeng kiln circa 15th/16th CE with two fish in the center and scalloped cavetto, there is well done repaired chip on the inner rim noted last enlargement. This is a classic and definitive piece for the Sankampaeng kiln as the incised/impressed fish motif is only found on ceramics from this Thai kiln. There are some blue flambé highlights in the center, probably accidental but quite attractive. D: 21.5cm/8.2in and H: 5cm/2in.

Lao or Lanna Thai, gold and silver foil repousséd Buddha, circa 14th-18thCE. No unisha some restoration- please view enlargements. H: 10cm/4in x W: (base) 7cm/2.8in. Provenance: Bonham’s Australia, Dec 7, 2022, lot 136, previously BC Galleries, Melbourne, Nov 18, 2013

Good Qing Dynasty, Chinese nephrite jade carving of a lotus seed pod. In Chinese culture this symbolizes fertility and a desire to have many children on another level the lotus reflects purity, strength and rebirth- as it rises from the mud and blooms into something beautiful. H: 3.5cm/1.4in and W: 4.2cm/1.6in x 3.1cm/1.3in. Good condition- no chips or cracks. 61grams.