Catalog: Antiques (378)

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Mixed collection of old beads… as follows the silver beads are old Sri Lanka beads as are the two cut cobalt blue crystal glass, two Khotan nephrite natural pebbles, one bowenite bead and two old banded agates. Scale is metric in enlargements. Free shipping.

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Qing Dynasty Jadeite fastener, stung on a macramé cord. L:4.6c7/1.8in, W: 2.8cm/1.2in, and thickness .5cm/.2in. Nice simple old piece, probably dyed (of the period) to emulate an earlier Nephrite piece. Some “flea bites”. Free registered airmail shipping.

Good Tamil, carved wood temple panel of the Hindu God Shiva manifested as Virabhadra, he is brandishing a sword and holds a shield. This was acquired in the late 1990s from a well-known Sri Lanka dealer and collector, from Kandy. This is a heavy (1.7kg), possibly Jack Fruit woodcarving...

Impressive large standing wood sculpture of He Xiangu何仙姑- the only women in the pantheon of the Eight Chinese Immortals. This is at least Qing dynasty possibly earlier originally she would be holding a lotus in her hands. Once source describes her as being “the Patron Saint of Housewives”. Height: 97cm/38in and has a lovely benevolent expression. Condition as pictured, there is a dedication niche on back but the contents have been removed.

Clay “tsa tsa” of a Lama, with traces of red pigment. Over 100 years old. H: 5.5cm/2.2in and W: 5cm/2in. Free shipping.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective...

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.

Early 19th century lacquer box from the Gadu-Gadan region with domed top and bottom (philone gaunglone). There are 16 separate panels decorated with mythical beasts, dancers and quirky symbols on the side and bird pattern on the top and bottom. Please note last photo for reference which is dated 1850 (possibly earlier) from Lacquerware Journeys—Than Htun. The piece I have is actually far more intricate...

Nice Thai pottery votive plaque circa early Ayutthaya period. In the center is the Buddha with classic Bhumiparsa mudra, flanked by two pillars and Sukhothai style walking Buddhas. Good condition and guaranteed of the period. H: 6cm/2.4 and W: 5.1cm/2in. Free shipping.

Alabaster Shan Buddha circa 18th century. This has been left out in the sun and rain for the past 15years so the surface has begun to degrade (a good lesson in the Buddhist principle of Anicca ~ the impermanence of all things). The head has been reattached. The base is hollow- the only example I have ever seen with this. H: 27cm/10.6in and W: 11cm/4.2in.

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period...

Rare antique classical period Kandyan standing Buddha, carved from Jackwood, circa 18thCE. H: 18cm/7in, please note in enlargements outstretched hand in the abhaya mudra and unisha are missing.

Special Offer: Two Ming porcelains- 1# Simple Ming bowl with impressionist depiction of a cobalt blue underglaze vase with flowers. Perfect original condition, with a classic Ming Period “Bi” shaped footrim. There is one small unglazed spot on the edge of the bottom of the rim, this not a chip. D: 9.1cm/3.6in and H: 3cm/1.2in. 2# Lovely small Ming, blue and white jar, very thinly potted with simple floral scroll pattern. Perfect condition, H: 7.4cm/2.9in and D: 6.2cm/2.5in.

Rare 4.9cm/1.9in Thai stoneware bowl from the Sankampaeng kiln circa 15th/16th CE with two fish in the center and scalloped cavetto, there is well done repaired chip on the inner rim noted last enlargement. This is a classic and definitive piece for the Sankampaeng kiln as the incised/impressed fish motif is only found on ceramics from this Thai kiln. There are some blue flambé highlights in the center, probably accidental but quite attractive. D: 21.5cm/8.2in and H: 5cm/2in.

Charming Ming Dynasty bowl with a pattern of a water buffalos in three different poses, there is hairline crack and gold leaf and lacquer repaired chip. D: 11.5cm/4.5in and H: 4.5cm/1.8in.