Catalog: Antiques: Regional Art (366)

Good Tamil, carved wood temple panel of the Hindu God Shiva manifested as Virabhadra, he is brandishing a sword and holds a shield. This was acquired in the late 1990s from a well-known Sri Lanka dealer and collector, from Kandy. This is a heavy (1.7kg), possibly Jack Fruit woodcarving...

antique chinese ceramic stoneware 7373 400. Pair of lovely light turquoise pastel blue Qingbai glazed jars with lotus leaf shaped lids circa 1200 CE, which would put them on the cusp of Southern Song/Yuan Dynasties. The lids have been heavily restored- so please see enlargements but the jars are in good condition with no damage. H: 16.5cm/6.5in and D: 12cm/4.8in.

Fine old Burma lacquerware box. This piece is quite rare in that it is a complete set with three compartments on top and one shallow “hidden” compartment in the base. There is an old repair on the cracquelure on the lid as well as some traditional restoration on the undecorated portions. This is an early 20th century piece (possibly 19th century) from the Gadu-Ganan region, Shan State. D: 16.cm/6.2in and W: 16cm/6.2in.

Rare “spirit calling” bell from the Yao Mien ethnic group of Guangxi, Vietnam, Laos. This would be used in Daoist ceremonies by Dao Guang priests and an example may be seen in Jess Pourret’s book: The Yao, plate 570, pg 207. The bell is attached to a bear’s tooth and has a "sweet" tone. This a genuinely old piece, circa late 19to early 20 the century. Please see last enlargement for scale. Free shipping.

Ma Quan was a female artist active in 17th and 18th centuries famous for her birds and flower paintings. This is a homage to her made in the 20th century, hand painted ink on paper traditionally mounted on a silk paper scroll. H: 126cm/50in and W: 63cm/24in- mounted dimensions H: 200cm/78in and W: 78cm/30in.

Very rare small celadon Yueyao lugged jar from a Zhejiang Kiln, circa Five Dynasties/Early Northern Song. This type of ceramic was a precursor to Longquan ware. There is a firing crack and some fritting (caused by pockets of air trapped beneath the glaze during firing) on one side- noted in enlargements. D: 9cm/3.5in and H: 6cm/24in.

Impressive large standing wood sculpture of He Xiangu何仙姑- the only women in the pantheon of the Eight Chinese Immortals. This is at least Qing dynasty possibly earlier originally she would be holding a lotus in her hands. Once source describes her as being “the Patron Saint of Housewives”. Height: 97cm/38in and has a lovely benevolent expression. Condition as pictured, there is a dedication niche on back but the contents have been removed.

Special Offer: Reduced from $500 to $300. Rare and unusual 3 paneled piled blanket from the Rawang ethnic group in the Kachin State, Burma. The ground is woven from hemp, the reddish head ends are dog hair .There are a few areas that have a bright colored commercial yarn but other than that, all natural dyes. In the red field there are some bits of missing weft noted in enlargements. This piece is circa 1950 (plus or minus), definitely old an old piece...

Ming Dynasty Tudigong 土地公 Rare Ming Dynasty (1368-1644 CE) pottery image of the Taoist “folk” God, Tudi Gong. He is a very popular God and is considered a community guardian, which is why you will see his small shrines in rural villages and urban neighborhoods, venerated by common people. Literally he is an erath God (God of the soil)...

Magnificent pottery Ding. The long legs and “cockscomb” design where, the legs join the body, are in keeping with bronze vessels from the Zhou to Warring States period, which pottery pieces were trying to emulate. There are traces of a repetitive meandering impressed band below mid circumference. The body is thinly potted with very light gray clay and originally had a dark gray slip applied to the outside (the original gray slip is still intact in the cavity)...

Rare Zo/Tedem "tawnok"- reference "The Art of the Zo: Philadelphia Museum of Art". The Tedum aka Tiddim are a subgroup of the Chin, who live mostly in Northern Burma, Chin State, as well India, and Bangladesh. This piece is circa 1950-1960, spun from commercial, hand dyed cotton thread with some single faced supplementary and diamond twill patterns. Please see enlargements to appreciate the complexity of this weave...

Rare early “si zhi” (four straight lines) style inkstone carved from an old fired brick. The characters on the brick are in an archaic style, no longer in use today. The square shaped flat bottomed inkstone with sloping grinding surface did not become popular until the Song Dynasty, so it is possible this was made into a inkstone long after it was a brick. Chinese are very fond of creating ink stones out of “found objects” such as roof tiles etc...

Wholesale lot of 100 pieces Jade Bi, vintage to antique Burmese jadeite. Diameters: 23mm to 17mm, hole diameter 6-7mm. These are untreated stones i.e., not dyed with original natural color. Total weight: 258 grams. These “stand alone” pieces and may be worn individually. Excellent for a “bricks and mortar” shop or jewelry designer,

Rare cream colored glazed Myanmar bowl with incised lotus and flared rim design circa 13th/14th CE, found at the Tak Hilltop Burial Site along the border of Burma and Thailand. I bought this about 20 years ago, now you cannot find these anymore. There are 3 repairs on the rim. Of these white wares from Burma, I have only seen one unrestored piece. D: 17.7cm/7in and H: 7.5cm/2.9in.

Unusual Ming Dynasty stoneware celadon glazed censer on a reddish clay body, possibly Longquan or an allied kiln, uncommon to see fine translucent craquelure. Good condition- no cracks or damage just some bits of kiln grit adhering to the glaze surface. D: 11.5cm/4.5in and H: 5.5cm/2.1in

Ikat sarong from the upland Karen (Pwo or Sgaw) ethnic group in Northern Thailand. This is woven from all handspun cotton thread and natural dyes. Acquired in the 1980s, it has never been used and as such may be described as being in pristine original condtion. The cloth coming these people nowadays, are nowhere near this quality. W: 87cm/34in and L: 152cm/61in.

Good Bhutan hand spun blanket. I bought this from a Bhutanese woman sitting at the bottom of the trail to original Tiger Nest, in 1995. Simple but stunning wool embroidered floral and foliate medallions. Made with soft wool (very warm), comprised of two panels, perfect condition. Width: 93cm/37.5in and Length: 158cm/62in.

Gorgeous old silk brocade supplementary weft embroidered on cotton backing from the Mulao ethnic group, circa first half 20th CE. The foundation is woven with handspun blue cotton threads and silk weft embroidered, phoenix, butterfly and floral images against a “key fret” background. L: 109cm/42in and W: 68cm/26in (with cotton border L: 128cm/50in and W: 83cm/32in)...