Catalog: Antiques: Regional Art (370)

Ma Quan was a female artist active in 17th and 18th centuries famous for her birds and flower paintings. This is a homage to her made in the 20th century, hand painted ink on paper traditionally mounted on a silk paper scroll. H: 126cm/50in and W: 63cm/24in- mounted dimensions H: 200cm/78in and W: 78cm/30in.

Nice old red and black lacquered Cambodian Siri (betel) box container. This has the original small feet on the bottom, very difficult to find these days. There is wear in the tray from use but otherwise The art of Cambodian lacquer production has had a minor renaissance in recent years but this mainly done for the decorative art export market, items made for local village use this has pretty much died out after Khmer Rouge Era and advent of cheap Chinese plastic boxes...

Very rare late 19th century small lacquer box with a bird in concentric circles on both concave top and bottoms unusual simple geometric designs on the side. For a box of this age, it is in very good condition some loss to lacquer on the edges and bottom of lid. For the specialist collector of Burmese lacquer ware. D: 10.1cm/4in and H: 7.1cm/2.8in.

Good Bhutan hand spun blanket. I bought this from a Bhutanese woman sitting at the bottom of the trail to original Tiger Nest, in 1995. Simple but stunning wool embroidered floral and foliate medallions. Made with soft wool (very warm), comprised of two panels, perfect condition. Width: 93cm/37.5in and Length: 158cm/62in.

Very rare small celadon Yueyao lugged jar from a Zhejiang Kiln, circa Five Dynasties/Early Northern Song. This type of ceramic was a precursor to Longquan ware. There is a firing crack and some fritting (caused by pockets of air trapped beneath the glaze during firing) on one side- noted in enlargements. D: 9cm/3.5in and H: 6cm/24in.

Rare Zo/Tedem "tawnok"- reference "The Art of the Zo: Philadelphia Museum of Art". The Tedum aka Tiddim are a subgroup of the Chin, who live mostly in Northern Burma, Chin State, as well India, and Bangladesh. This piece is circa 1950-1960, spun from commercial, hand dyed cotton thread with some single faced supplementary and diamond twill patterns. Please see enlargements to appreciate the complexity of this weave...

Ikat sarong from the upland Karen (Pwo or Sgaw) ethnic group in Northern Thailand. This is woven from all handspun cotton thread and natural dyes. Acquired in the 1980s, it has never been used and as such may be described as being in pristine original condtion. The cloth coming these people nowadays, are nowhere near this quality. W: 87cm/34in and L: 152cm/61in.

Wholesale lot of 100 pieces Jade Bi, vintage to antique Burmese jadeite. Diameters: 23mm to 17mm, hole diameter 6-7mm. These are untreated stones i.e., not dyed with original natural color. Total weight: 258 grams. These “stand alone” pieces and may be worn individually. Excellent for a “bricks and mortar” shop or jewelry designer,

Pair of large Han Dynasty “ear cups”- er’bei. These are have an outstanding rich green lead glaze, with paraffin patina and high relief wave pattern on the sides. Please note last two enlargements- there are two professional quality repairs. L: 13cm/5.1in, W: 12cm.5/4.8in and H: 4cm/1.6in.

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

Very rare Khmer black lacquer “pillow box” with an abstract floral pattern. This is an old pre Khmer Rouge item, dating 50 to 60 years old, possibly more. The unique decoration makes this a one of a kind piece, the construction is typically Cambodian, in that it is constructed with thin small planks of wood and is coated with raw lacquer on the bottom, and this was sourced in the “Russian Market” about 15 years ago in Phnom Phenh...

Impressive large standing wood sculpture of He Xiangu何仙姑- the only women in the pantheon of the Eight Chinese Immortals. This is at least Qing dynasty possibly earlier originally she would be holding a lotus in her hands. Once source describes her as being “the Patron Saint of Housewives”. Height: 97cm/38in and has a lovely benevolent expression. Condition as pictured, there is a dedication niche on back but the contents have been removed.

Four shades of Pyu glass beads excavated near the ancient Pyu city of Sri Kstera, (modern day Pyay), Burma, circa 200CE- 1100CE. Beads from Sri Ksetra are well documented in Early Landscapes of Burma- Elizabeth Moore & Early Cultures of Mainland Southeast Asia- Charles Higham. Please see enlargements for scale. The green beads are very rare, and their colors are sublime, I have seen black beads in mixed strands before but this only one I have ever seen that is completely black...

Rare “spirit calling” bell from the Yao Mien ethnic group of Guangxi, Vietnam, Laos. This would be used in Daoist ceremonies by Dao Guang priests and an example may be seen in Jess Pourret’s book: The Yao, plate 570, pg 207. The bell is attached to a bear’s tooth and has a "sweet" tone. This a genuinely old piece, circa late 19to early 20 the century. Please see last enlargement for scale. Free shipping.

Rare cream colored glazed Myanmar bowl with incised lotus and flared rim design circa 13th/14th CE, found at the Tak Hilltop Burial Site along the border of Burma and Thailand. I bought this about 20 years ago, now you cannot find these anymore. There are 3 repairs on the rim. Of these white wares from Burma, I have only seen one unrestored piece. D: 17.7cm/7in and H: 7.5cm/2.9in.

Good Tamil, carved wood temple panel of the Hindu God Shiva manifested as Virabhadra, he is brandishing a sword and holds a shield. This was acquired in the late 1990s from a well-known Sri Lanka dealer and collector, from Kandy. This is a heavy (1.7kg), possibly Jack Fruit woodcarving...

Unusual Ming Dynasty stoneware celadon glazed censer on a reddish clay body, possibly Longquan or an allied kiln, uncommon to see fine translucent craquelure. Good condition- no cracks or damage just some bits of kiln grit adhering to the glaze surface. D: 11.5cm/4.5in and H: 5.5cm/2.1in

Ming Dynasty Tudigong 土地公 Rare Ming Dynasty (1368-1644 CE) pottery image of the Taoist “folk” God, Tudi Gong. He is a very popular God and is considered a community guardian, which is why you will see his small shrines in rural villages and urban neighborhoods, venerated by common people. Literally he is an erath God (God of the soil)...