Catalog: Antiques: Regional Art: Asian (353)

Mixed collection of old beads… as follows the silver beads are old Sri Lanka beads as are the two cut cobalt blue crystal glass, two Khotan nephrite natural pebbles, one bowenite bead and two old banded agates. Scale is metric in enlargements. Free shipping.

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Clay “tsa tsa” of a Lama, with traces of red pigment. Over 100 years old. H: 5.5cm/2.2in and W: 5cm/2in. Free shipping.

Qing Dynasty Jadeite fastener, stung on a macramé cord. L:4.6c7/1.8in, W: 2.8cm/1.2in, and thickness .5cm/.2in. Nice simple old piece, probably dyed (of the period) to emulate an earlier Nephrite piece. Some “flea bites”. Free registered airmail shipping.

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Good Tamil, carved wood temple panel of the Hindu God Shiva manifested as Virabhadra, he is brandishing a sword and holds a shield. This was acquired in the late 1990s from a well-known Sri Lanka dealer and collector, from Kandy. This is a heavy (1.7kg), possibly Jack Fruit woodcarving...

Good Joseon Dynasty, 19th century stoneware cup/bowl with high footrim and pale greenish gray glaze and gray stoneware , this is a simple regional folk ware but has a pleasing almost celadon feel to it that needs to be held to be appreciated. There is some kiln grit in the cavetto as well as three minor hairline stress cracks. H: 8.7cm/3.5in and D: 13.1cm//5.2in.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective...

Pair of matched naturally stressed wooden plaques with “couplet”, encouraging harmony and peace. Traditionally Chinese write to right to left so the meaning of the board on the right encourages one to “admit your mistakes to avoid trouble in the world” while the one on the left, encourages one to “be tolerant, to live in peace”. It has been suggested to me that these may be have been hung in an old Kung Fu studio as this would express the spirit of martial arts...

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Early 19th century lacquer box from the Gadu-Gadan region with domed top and bottom (philone gaunglone). There are 16 separate panels decorated with mythical beasts, dancers and quirky symbols on the side and bird pattern on the top and bottom. Please note last photo for reference which is dated 1850 (possibly earlier) from Lacquerware Journeys—Than Htun. The piece I have is actually far more intricate...

Alabaster Shan Buddha circa 18th century. This has been left out in the sun and rain for the past 15years so the surface has begun to degrade (a good lesson in the Buddhist principle of Anicca ~ the impermanence of all things). The head has been reattached. The base is hollow- the only example I have ever seen with this. H: 27cm/10.6in and W: 11cm/4.2in.

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period...

Nice Thai pottery votive plaque circa early Ayutthaya period. In the center is the Buddha with classic Bhumiparsa mudra, flanked by two pillars and Sukhothai style walking Buddhas. Good condition and guaranteed of the period. H: 6cm/2.4 and W: 5.1cm/2in. Free shipping.

Quirky Cizhou type, heavy, completely black glazed, waisted beaker from circa Ming Dynasty. Possibly this was used in a Chinese Apothecary, but this is just a best guess to its function. The hole on the bottom was made prior to firing and is part of the original design. Lovely thick glaze and aside from a couple of chips on the outside of the foot, in very good condition. H: 13cm/5.1in- width at base : 8.7cm/3.8in and width at mouthrim : 11cm/4.3in.

Good small early circa 14th/15th century porcelain jar, with abstract floral scroll pattern, from Vietnam. There is a surface frit noted in enlargements. D: 8.9cm/3.5in and H: 8cm/3.1in.