Catalog: Antiques: Regional Art: Asian (353)

Very rare lacquer box with geometrical pattern and convex shaped lid and bottom. The lacquer is quite thick on this piece with an unusual motif. I have only seen two boxes in this style which came out of Yunnan, China, so these may have been made as trade items to Yi minority who seem to make similar, though less sophisticated, patterned lacquer pieces. This was made in the first half of the 20th century, and except for a chip on the lid surface it is in excellent condition...

Mid 20th century textile from the Mulao ethnic group Guangxi Zhuang Autonomous Province. This is a two paneled blanket with original border and supplementary weft silk embroidered pattern phoenix and flowers on a cotton field “key fret” pattern- all handspun threads. Good condition - no holes or missing embroidery threads. L: 110cm/43in and W: 66cm/cm/26in- with blue cotton border L: 153cm/59in and W: 110cm/43on.

Fine old Yao embroidery with Chinese characters, from the Kin Mun Lantien subgroup Yunnan/Vietnam. This piece is in excellent condition with no damage, but the indigo has “bled” and is circa early 20th century. It is made from all handspun cotton with an intense indigo dye. These are documented in the Jess Pourret book “The Yao”. Embroidered patch W: 14cm/5.5in and L: 20cm/7.9- with fringe 139cm/54in. Free shipping.

Wholesale lot of 50 vintage jadeite crosses (plus a few odd leftover bits). These were carved in the 60s through the 80s, and each cross consists of three pieces, meaning they will have to be remounted in would or metal. The jade is fairly good quality and is not dyed, some have small splashes of apple green. May be incorporated into secular jewelry, ideal for a jewelry maker. Lengths vary between 2.2cm and 5.cm

Rare woman’s pictorial shoulder cloth from a Chin subgroup (Khami, Khumi or Mro) living in the Rakhine and Chin states, west Myanmar. Please note that the pattern is hand embroidered on one side only and not woven in, also most of the geometric woven patterns are unique with only a couple of repetitions. The dimensions are L: 123cm/63in x W: 34cm/13.5in. I have three books and Burmese textiles and there are no depicted examples of pictorial weaves. Circa 50 to 60 years old.

Two rare Burmese/Shan small betel containers, 60 to 100 years old with “ku-nan kan byat” patterns and original inner trays. Genuine antique Burmese lacquer is almost impossible to find these days; I picked the larger one up in a small shop Luang Prabang, Laos in 1998. H: 8.7cm/3.4in and W: 10.2cm/4in, and the smaller one, H: 6.7cm/2.7in and D: 7.7cm/3in, in Chiang Mai this year. These have some old repairs, as well as a pleasing craclature typical of antique Burmese lacquer.

Twin lotus pods on one stalk signify permanent and single minded love in old Chinese culture. This is Qing Dynasty natural Burmese Jadeite, the green color will not fade. Please note scale is metric. Free shipping.

Beautiful small Qing Dynasty Ding censer with glaze emulating bronze, ideal for the scholar’s desk Perfect original condition, there are couple of small areas on a side handle where the glaze did not take- just minor firing imperfection. H: 5cm/2in and D: 5.7cm.

Chinese ceramic Buddha, circa 1900-1930 (Qing – Early Republic). The iconography is quite unusual there is a seated Buddha image on the chest, standing Buddha image on the back, and another image of the Buddha in Parinirvana reclining pose. Overall a very intriguing piece, possibly meant for export to another Asian nation. Excellent original condition- no cracks, chips or frits. H: 15cm/6in and W: 9cm/3.5in.

Hetian nephrite jade pendant with illegible archaic script incised on the surface. Cut from the edge of a jade boulder, this piece has a natural shape and “organic” feel. The russet highlights are attractive but artificially induced. H: 5.4cm/2.2in and W: 3.3cm/1.3in- 33 grams.

Qing Dynasty, rare (no one I know has seen one before), silver amulet with a rat (definitely not a mouse). 2020 was the Chinese Lunar Calendar for the Metal Rat so this being a silver piece represents a full 60 year lunar cyclical completion this year. In Chinese society the Rat is considered clever, cultured, shrewd and intelligent although a bit manipulative (Mark Zuckerberg is a Rat). The reverse side wishes the owner “May you live 100 years”...

Ruby red Beijing glass, Qing Dynasty snuff bottle. The neck has an old silver repair. H: 7.8cm/3in and W: 6cm/2.3in.Free shipping.

Simply elegant wood panel depicting a bird perched on a rock beneath plum blossom in the background there are mountains and trees. The carving is in perfect condition with traces of original blue pigment- please note the delicacy in which the bird’s legs were carved as well as the bare trees beneath the mountains and bracken ferns at the bottom of the foothill (if you use your imagination they look like high rise apartments). W: 27cm/6.8in and H: 21cm/8.6in

Quirky glass ring emulating agate. This piece came from China but possibly is a trade object. I acquired this in a lot of other ancient pieces. A conservative dating to this is Qing Dynasty (1644-1911) and guarantees it to this period. There is one crack as well as some bubble burst pitting on the surface. Outer D: 2.8cm and inner D: 1.9cm.

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

Genuine antique Shan lacquer box circa late 19thCE. Most Burmese lacquer being offered on the internet purported to be antique are vintage at best and new at worst. I acquired this in Yunnan, China along the Burmese border but of Shan (nationality in China). Although there is some damage the craftsmanship is exquisite which is why I put a grain of sand in a couple of the images to put the work into perspective...

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

Late Qing Dynasty, most likely Guangxu Period porcelain vase with wonderful mountain and garden scene and two scholars playing weiqi. The mouth rim is cracked and is noted in close-ups. 23cm/9in height and 15cm/5.9 diameter.