Catalog: Antiques: Regional Art: Asian (357)

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

Exceptional semi antique, over 70 years old, two paneled Tai Daeng (Red Tai) blanket from Northern Laos with supplementary weft silk Chinese Shou longevity character medallions and key fret design. The last time I was in Vientiane (13 years ago) textiles of this quality are no longer to be found. There are two repairs noted in enlargements 2 & 3 as well as some minor weft design loss...

Deep brushwasher basin with two children on either side. Excellent condition, with light blue glaze and a porcelain body. The bodies of the figures are hand sculpted rather than molded, circa late Republic to early 60s. W: 17cm/6.8in and H:14.8cm/6.2in

This is a 20th century hand painted on silk and traditionally scroll mounted homage the artist, Miao Jiahui a female painter who was the official personal artist to the Qing Dynasty Empress Dowager Cixi, Depicting chrysanthemums in vases and flower pots, there is a poem in the upper left hand corner translates roughly as “The late king likes to sleep in the garden of the chrysanthemums/ The tall vase is shaped by its surroundings/ Common eyes fear not because the autumn wind and sickness/...

Charming Cizhou style ceramic pillow as a cat, circa late Qing to Republic period in perfect condtion! Great expression- captures the way a cat can gaze so intently at something while appearing calm- as if it is about to pounce on an unsuspecting prey. The Victoria and Albert have one in their TT Tsui Gallery and the Tianjin Porcelain Museum has one on display as well. L: 31cm/12.2in, H: 15.5cm/6.1in and W: 11.5cm/4.5in

Very fine red lacquered saber (dao) scabbard fitting from the Nùng people Vietnam. They are well known for their sword making so it makes sense they would put the same effort into their accoutrements. This is an old semi antique piece circa 1950 excellent condition and intricate carving. L: 14cm/5.5in W: 5.9cm/2.3in and Thickness 2.4cm/1in.

Exquisite Chinese satin silk hand embroidered and hand sewn jacket and pleated skirt with drawstring waistband. Pristine condition, circa 1930s or 1940s, see last enlargement for reference. Jacket dimensions- sleeve to sleeve width at shoulder: 127cm/50in, length shoulder to bottom : 68cm/26in and width in the middle: 92cm/36in. Skirt length: 82cm/32in (not including fringe) and waist: 72cm/28in. Still very wearable!

Beautiful traditional Chinese brush painting of the Buddha mounted on a beige silk scroll, excellent condition. He is sitting on a lotus throne with his right hand raised in the Shuni mudra symbolizing patience and discipline. There is an apocryphal dating of 1845 Buddha’s Birthday, Daoguang reign and signature of Reqin. Mounted size is L: 203cm/80in and W: 78cm/31in- actual painting size is L:131cm/51in and W: 66cm/26in. Circa last quarter of 20th century.

Collection of three vintage/antique cloth printing blocks from Tamil Nadu, carved from hard wood (probably Jackwood) all in excellent condition, acquired in India 30 years ago. Very decorative- may be hung on as a wall art ensemble. Large one: H: 26.3/10.4in x W: 16.4 cm/6.4in, round one D: 20.6 cm/10.2in and, small one H: 17.5/6.9in x W 8.3cm/3.2in.

Fine, old and rare Chang Naga, three paneled body “prestige” cloth with anthropomorphic cowry shell design. Made from very fine hand spun cotton weft and silk warp, the cowry shells have a fine toned aged patina. This is a genuinely old cloth circa 50 to 70 years old (not for the tourist market). This kind of cloth signifies the owner has given a series of feasts or in the past taken a head...

A collection of 10 kihks from Lanna, Thailand. All are hand carved from wood (except two which are carved from buffalo horn- noted in enlargements) and incised auspicious Khom script, from Lanna Thailand. Contrary to how I see these often advertised they, have little to do with attracting women, but are worn by on the side by men for luck and prosperity or used by women to ward odd “evil men” and attract money. It’s not uncommon that they be put in cash register...

Lovely Cambodian lacquer betel box with decorative herring bone woven bamboo wall. Good condition, wear as to be expected with an old piece, but no damage. This was made Pre Khmer Rouge (before 1975). Although lacquer craft has been resurrected for decorative export pieces, artisanal made for domestic use are no longer produced due to its time consumption and the availability of cheap plastic. D: 23.5cm/9.2in and H: 9.8cm/4in.

Enigmatic and eclectic collection of 35 small repousse auspicious good luck tokens).These were collected in Dali, Yunnan, China in the late 1980s. No two are exactly alike and and are they seem to are classic Tantric Buddhism symbols such as endless knot, parasol, lotus throne, and temple banner motifs are represented in this lot as well as more traditional Chinese symbols such as bats and butterflies. These came from Yuxi Xingmeng, the last ethnic Mongolian village in Yunnan...

Very fine, complete (both original inner trays included) betel box in excellent condition circa first half 20 the century. Composed of red, black and green lacquer depicting monkeys against an abstract foliate background. Some surface craquelure as to be expected on old lacquerware. D: 18.5cm/7.2in and H: 10.5cm/4.1in.

Rare Zo/Tedem "tawnok"- reference "The Art of the Zo: Philadelphia Museum of Art". The Tedum aka Tiddim are a subgroup of the Chin, who live mostly in Northern Burma, Chin State, as well India, and Bangladesh. This piece is circa 1950-1960, spun from commercial, hand dyed cotton thread with some single faced supplementary and diamond twill patterns. Please see enlargements to appreciate the complexity of this weave...

Traditional brush and ink Chinese painting of birds done in the style of Jin Cheng 金城. This homage was done in the 20th century and is very attractively mounted a silk scroll. Jin Cheng travelled internationally and was a founding member of the influential Chinese Painting Research Society (Zhongguo huaxue yanjiuhui) that became later known as the Hu Society (Hu she). The writing at the top right is an apocryphal dedication- gifted to Yu Po 1907...

Collection of four hardwood “tun tun” pig trap markers made by the Iban people of Sarawak, East Malaysia, circa last half of 20th century. All in good condition. The longest one is L: 59cm/23.2in

Pair lovely vintage bamboo brush pots circa 1960-1980 The surface has been stained a darker color but the patina is a hand polish with no varnish. Excellent condition, with no splits are cracks. H: 14.2cm/5.6in and D: 8.4cm/3.2in.